Mine sounds a good deal brighter/more middish, not as subwoofy. The way this thing sounds, it might as well be a 69/70 RI with the classic mudbucker. But maybe they dialed it that way because they didn't know any better.
This is more like it ...
And Bob Daisley played his EB-3 on Crazy Train with a pick (he plays with a pick nearly all the time, the ability to do that got him his first decent job with Rainbow) - which made all the difference and on a short scale possibly more so than on a long scale - thru a Marshall with heavy distortion.
Decades later, when
Ozzy Sharon had the bass parts replaced, it sounded like this, courtesy of the guy who is now doing service with Hetfield & Co.:
Both tracks have their charming and human inaccuracies, I don't want to turn this into a slagging match between the two Roberts, they are both excellent players. For my taste, the bass sound it too distorted in both cases. I know it's uncool, but I don't like distorted bass!