The Doublecut/Mon(k)ey basses flopped big time, don't ask me why. They were not that prohibitively priced and had favorable reviews in the bass mags. But whenever Gibson comes up with a design that is not a reissue of some fifties or sixties design legend, the public ain't interested. That is why they are churning the Moneys out now, quality isn't the issue. Possibly, the Money sounded too vintage for its modern look or it looked too modern for its vintage sound. The issue was exacerbated with the two GoW versions of the Money, the Midnight Blue and the Natural Satin as these had a walnut tone plate sandwiched between maho body and maple top making them sound hilariously dark and fuzzy for modern standards (and very pleasant to most ears here, but you guys didn't exactly devour them either!).