Gene Simmons EB0 anyone? (replica)

Started by 66Atlas, March 18, 2015, 01:09:25 PM

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Bionic-Joe

The dude told me it is a real Gibson neck, Maple and Mahogany Body that he built...Looks like I could have built this at the way he paid attention ALL the details... Seems like a cool bass......he should get a nice price I would think...

Dave W

It's still a parts bass. But I do understand the appeal to a Kiss fan.

Basvarken

If it is a real Gibson neck, why is the headstock shape so wrong?
www.brooksbassguitars.com
www.thegibsonbassbook.com

Dave W

Not a real Gibson neck IMHO. Could be a reshaped Epi headstock.

lowend1

Did Epiphone build a short scale, set neck bass with the large headstock (that could be reshaped as Dave described? The EPi EB-3 is long scale, as was the Ripper. The EB-0 is a bolt on. The Elitist EB-3 had the headstock that was tapered inward a bit at the top and looks smaller than this one. The Elitist 60s EB-3 had a Gibson-shaped headstock, bit it looks smaller also. The set neck Les Paul basses have that tiny 'stock. I'm out of ideas...
If you can't be an athlete, be an athletic supporter

Basvarken

I took a close looks once again.
Headstock still looks fake to me
-The open book shape is wrong. The curves are too pronounced. Not flat enough.
-The Gibson logo is too close to the edge. Plus the typefont looks distorted. And it's a gold transfer instead of pearl inlay.
- The crown seems to have the wrong shape.

www.brooksbassguitars.com
www.thegibsonbassbook.com

Dave W

Quote from: lowend1 on March 22, 2015, 09:27:20 AM
Did Epiphone build a short scale, set neck bass with the large headstock (that could be reshaped as Dave described? The EPi EB-3 is long scale, as was the Ripper. The EB-0 is a bolt on. The Elitist EB-3 had the headstock that was tapered inward a bit at the top and looks smaller than this one. The Elitist 60s EB-3 had a Gibson-shaped headstock, bit it looks smaller also. The set neck Les Paul basses have that tiny 'stock. I'm out of ideas...

Not saying that it is, only that it's possible. I don't know all the Epi models. The Rumblekat is short scale but AFAIK all are bound necks.

Most likely a complete fake.

Quote from: Basvarken on March 22, 2015, 01:21:32 PM
I took a close looks once again.
Headstock still looks fake to me
-The open book shape is wrong. The curves are too pronounced. Not flat enough.
-The Gibson logo is too close to the edge. Plus the typefont looks distorted. And it's a gold transfer instead of pearl inlay.
- The crown seems to have the wrong shape.


You are correct, sir.

Even if it's somehow started out as a genuine Gibson neck blank, that headstock and logo definitely never left the factory that way.

Bionic-Joe


Basvarken

Which is not bad for a handbuilt mahogany bass  ;)
www.brooksbassguitars.com
www.thegibsonbassbook.com

uwe

I have my handsigned Punisher, that suffices. It's realistically the best bass he ever played though he didn't sound bad with his Grabber either.
We've taken too much for granted ... and all the time it had grown ...
From techno seeds we first planted ... evolved a mind of its own ...

OldManC

Quote from: uwe on March 23, 2015, 08:49:51 AM
I have my handsigned Punisher, that suffices. It's realistically the best bass he ever played though he didn't sound bad with his Grabber either.

As a committed long scale fan that's the only one of his basses that I'd want to play. I still kick myself for not buying one back in the heyday of the reunion fervor when they could be had for $1000 or so. 

uwe

#26
Not a bad bass by any means, well thought out, great upper fretboard access and no neck-dropping when you do your Gene Simmons "arms-wide-open-in-the-arena"-impersonations. Even the active EMG delivers aggressively, and it's a good-looking instrument, long neck and comparatively small body give it a stylish elegance, it looks like no other bass.

But why Gibson never did a Signature Grabber for him with fake blood stains and burn marks is beyond me, I'm sure it would have found more than a few buyers. They could have called it "God of Thunder" and done an SS-runes inlay at the 12th fret. Why oh why am I not in Gibson's marketing department?  :mrgreen:
We've taken too much for granted ... and all the time it had grown ...
From techno seeds we first planted ... evolved a mind of its own ...

OldManC


uwe

You mean I would then get to crack down on all these imposters?

We've taken too much for granted ... and all the time it had grown ...
From techno seeds we first planted ... evolved a mind of its own ...

Dave W

Quote from: uwe on March 23, 2015, 12:30:25 PM
Not a bad bass by any means, well thought out, great upper fretboard access and no neck-dropping when you do your Gene Simmons "arms-wide-open-in-the-arena"-impersonations. Even the active EMG delivers aggressively, and it's a good-looking instrument, long neck and comparatively small body give it a stylish elegance, it looks like no other bass.

But why Gibson never did a Signature Grabber for him with fake blood stains and burn marks is beyond me, I'm sure it would have found more than a few buyers. They could have called it "God of Thunder" and done an SS-runes inlay at the 12th fret. Why oh why am I not in Gibson's marketing department?  :mrgreen:

When you're in Nashville, you ought to talk to Anne Erickson about getting a marketing gig at Gibson.