What I like about the three point is that it doesn't have this massive plate obstructing the surface of the bass' top, yet isn't flimsy either with those three large studs. I'm not aware of any other bridge like that. It doesn't look utalitarian yet is. In comparison, both the Badass and the Supertone have put purpose over visual design which is sensible and generally good designing - form follows function -, but having both once in a while is nice too.
But this bass' prototype status warrants that its original look be reinstated. I have the Supertone on my Blackbird and it looks nicely industrial ON THAT TYPE OF TBird, gives a little more sustain (but just like a Ric a TBird is inherently already a sustain-rich bass so there is nothing really gained that way) than the three point and lets you lower the action a little more evenly, but the effects are not startling. I have not felt compelled to repeat the exercise with any other bass. Then again if that bass should play like a dream with it, I might keep it on there.