Bach was always ripping other people off, look at that G String thing he took off Jacques Loussier.
This would seem to indicate some sort of time machine, where the composer travelled back in time with advanced skills and knowledge of contemporary music to compose those pieces. What, you've never seen "Bach to the Future"? <sorry>
As for Bouree, the feel is a fine study in how the bass moves a tune. Fluid vs blocky, swing vs four-on-the-floor, airy vs. saturated. 30-40 years ago it seemed more common for bands to throw tunes like this into a set, whereas now everything is power chords and everybody playing on every beat.
The older I get the better I was