Excellent bass player with a hugely melodic and individual style; he was a guitarist before joining Queen. On those early recordings his melodic runs are all over and he's darn fast too, yet subtle. His songs also tend to be my favorite Queen songs. (All you yank and limey native speakers: I always wonder, is the "ea" in his name pronounced like in "head" or in "leader"? Does he rhyme with "beacon of light" or "ham and bacon"?)
I saw "We will rock you" in London on Saturday, very weak and labored story line, makes Mamma Mia seem like a work of genius. The band playing the Queen songs does its best and Laurie Wisefield (ex-Wishbone Ash and Home as well as stints with Al Stewart, Roger Chapman and Nokia Night of the Proms) has Brian May's tone and feel down pat, but while the bass player (I think it was Neil Murray, but I'm not sure, if it was him, then Murray, who has a great individual style, is not very good at copying Deacon) played some Deaconish runs, it didn't sound like Deacon at all, way too fundamental with none of his nimble lightfootedness. Queen music, if not played by Taylor, Deacon, May and Mercury, becomes bland pop very quickly, I learned that on Saturday.
Deacon has been a perfect gentleman with impeccable taste as regards the questionable projects of his former band buddies (which he did not support nor obstruct) since Freddie's death. He did not take part in the creation of the - now that I've seen it: frankly embarrassing - musical and had no part in the ill-matched (both live and on the studio record) Paul Rodgers liaison which has now thankfully come to an end. Queen (i.e. Taylor and May) were bad company for Rodgers without being Bad Company for him. And with this most brilliant pun I exit. Yes, Deacon is a great player.