So today's thrilling update, I know you're not sleeping nights wondering what will happen next :roflmao:
First job this morning was to drill the switch and control pot holes, I did this perpendicular to the surface rather than to the back so the knobs don't look cock eyed. I looked at some Les Paul guitars in PMT Cardiff last weekend to see how they were drilled, strangely some were vertical and some where in line with the contours, it was the ones high on the wall that were angled so in hindsight they would have been customs as they cost an arm and a leg..
Next was to sand the body contours and make them look less like I attacked them with an axe, after that I did the sides and the back but only to 80 grit until the binding is in and all other work done then I'll take it down to 240 or 320 grit depending on how it looks. No need to go further than that on wood, the marks will never show even at 240 with clear lacquer, the problem with going finer is that the grits start removing soft wood rather than the harder and ripples start to appear, it's quite hard to stop that and to be honest there isn't any real advantage to do so on your average timber like Oak, Mahogany, Ash etc.
The last job of the day was to check the necks for flat and yes they were, excellent news so a couple of wipes with the plane and then I sanded the headstock and glued the headstock veneers on, after an hour in clamps I trimmed the veneer flush and being the daft bat I am I stuck the bits together to have a first look at what they were going to look like. I won't comment on that, make your own mind up. The top of the neck body isn't flush thith the top of the body yet, I need to trim the bottom of the tenon but I'm leaving that until shaping time
