En Vogue's newest (I've had a crush on them ever since "
Giving Him Something He Can Feel", but then I like The Supremes, The Three Degrees, Labelle, The Pointer Sisters and Sister Sledge too)
which is pretty varied for what is essentially a dance record (the above track is not typical for the album).
And then the 2017 and 2018 Ric Ocasek-sanctioned remasters of The Cars ...
which are brilliant (plus interesting demos and alt. takes)! What's cute about the above vid is that you can see Greg Hawkes, the keyboarder, valiantly counting a 4/4 with his free hand.
Why? Bass and drums are in 5/4 in the verse, but the harmony instruments all play 4/4 so the repeating bass figure pops up at unexpected places all the time (hence I can't blame him for counting!) - which also makes the straight bridge and chorus such a relief. Smart! A polymeter in a hit single, it can be done! Eat your collective hearts out Geddy, Alex and Neil ...
When I first heard Touch & Go from a car radio in Detroit in 1980 I thought it was one of the most ingenious and clever (and
I don't take credit for recognizing the polymeter back then, I just realized something weird going on), yet instantly memorable pieces of music I had ever heard. That view hasn't changed to this day. And the guitar solo is 2 die 4 2!