In this discussion about T-birds on that OTHER forum

Started by Denis, December 06, 2012, 06:14:05 AM

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Granny Gremlin

Quote from: Dave W on December 12, 2012, 09:00:27 AM
He used the Thiele/Small parameters for the stock speakers to design what he thought would be a flat response, then rebuilt the cab it to that. Things don't work like that in the real world. Even if he could have, he was clueless. The purpose of a bass cab isn't to reproduce the exact signal coming from the amp with no deviation. That's the goal of reproduction equipment, not music-making equipment.

Yes, but my point was that the whole thing is futile because the drivers aren't flat; the cab itself is not the issue rather it's the upper midrange bump typical of instrument speakers.  Something I suppose you imply by your last line there.
Quote from: uwe on April 17, 2014, 03:19:20 PM
Robert Plant and Jimmy Page (drummer and bassist of Deep Purple, Jake!)

Pilgrim

"That's the goal of reproduction equipment, not music-making equipment."

I think that's right on target.  The goal of capturing/reproducing music is to replicate the original.  When you make music, the equipment influences and changes the sound.  That's why different people prefer different amps and cabs.
"A computer lets you make more mistakes faster than any other invention with the possible exceptions of handguns and tequila."

Dave W

Quote from: Granny Gremlin on December 12, 2012, 12:45:01 PM
Yes, but my point was that the whole thing is futile because the drivers aren't flat; the cab itself is not the issue rather it's the upper midrange bump typical of instrument speakers.  Something I suppose you imply by your last line there.

Right. And even if they were flat, you couldn't make the cabinet sound flat. The real world of speaker cabinets doesn't operate that way. Likewise with the way we hear. The parameters are useful for design, but only to a point.

Quote from: Pilgrim on December 12, 2012, 01:39:10 PM
"That's the goal of reproduction equipment, not music-making equipment."

I think that's right on target.  The goal of capturing/reproducing music is to replicate the original.  When you make music, the equipment influences and changes the sound.  That's why different people prefer different amps and cabs.

That's also why the idea of a "hi-fi" sounding bass or bass amp is self-defeating. Hi-fi = high faithfulness to the original performance. When you're making music, you are the original performance, not a reproduction of it.

Pilgrim

Quote from: Dave W on December 12, 2012, 02:43:06 PM
That's also why the idea of a "hi-fi" sounding bass or bass amp is self-defeating. Hi-fi = high faithfulness to the original performance. When you're making music, you are the original performance, not a reproduction of it.

BE the bass......

"A computer lets you make more mistakes faster than any other invention with the possible exceptions of handguns and tequila."

Granny Gremlin

Yeah, but in all fairness, the term 'hifi' in that context has a modifier (i.e. "hifi-sounding") somtimes omitted for brevity's sake, and is used in a metaphorical vs litteral way; i.e. the bass sounds like a record (processed; scooped; compressed; whatever the current flavour is) vs live.  A valid descriptor in that sense IMHO.
Quote from: uwe on April 17, 2014, 03:19:20 PM
Robert Plant and Jimmy Page (drummer and bassist of Deep Purple, Jake!)

patman

I never understand these concepts...I plug it in, if it sounds good, I play it.

eb2

My concept gradually became if I could lift it without throwing my back out, I liked it.

Nowadays, if it looks cool in the basement, I keep it.  And throw laundry on it.
Model One and Schallers?  Ish.

drbassman

Quote from: Dave W on December 12, 2012, 02:43:06 PM
Right. And even if they were flat, you couldn't make the cabinet sound flat. The real world of speaker cabinets doesn't operate that way. Likewise with the way we hear. The parameters are useful for design, but only to a point.

That's also why the idea of a "hi-fi" sounding bass or bass amp is self-defeating. Hi-fi = high faithfulness to the original performance. When you're making music, you are the original performance, not a reproduction of it.

Amen Dave!  I am the music, not a clone!
I'm fixin' a hole where the rain gets in..........cuz I'm built for a kilt!

uwe

An EB-0 sounds like an EB-0 over any amp, nuff said. And no amp and speaker can make a bass other than an EB-0 sound like one.
We've taken too much for granted ... and all the time it had grown ...
From techno seeds we first planted ... evolved a mind of its own ...

Granny Gremlin

You can come rather close though (mostly string choice and EQ; never quite the same though)... and plug any mudbucker into a Peavey Bandit 10" solid state guitar practise amp - you won't even recognise it.  A very good/useful recording tone and very un-muddish (I guess that Peavey stumbled into a preamp design that doesn't freak out at the load and signal strength of a mudbucker; whodathunkit). Actually, the all tube Peavey Bravo 112 guitar combo I have also seems to work well in a similar way (I bought it because it was cheap, all tube, and I though it would be more practical to use with my EB3 due to more power, as well as a spare amp to have around the studio since it is pretty versatile; actually a good amp). The seller was tickled that I showed up with the EB3 to test it before purchase.
Quote from: uwe on April 17, 2014, 03:19:20 PM
Robert Plant and Jimmy Page (drummer and bassist of Deep Purple, Jake!)

exiledarchangel

I'm just curius, with what speaker did you test the amp?
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