NBD Univox Hi-flyer phase III bass

Started by godofthunder, June 30, 2023, 07:46:14 AM

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godofthunder

I had a phase II Hi-flyer briefly in 1973-1974, my first solid body bass following my Klira and Hofner.  By 73 it became clear to me my hollow violin basses weren't cutting it and I needed a solid body bass, trouble was I had zero dollars.  I scrapped up 30 bucks and road my bike up to The House of Guitars and  bought a used Hi-Flyer, I returned home on my bike with it slung over my shoulder.  I
    I thought very highly of it then,  it sounded good and played fantastic. I didn't have it long but I always remembered it fondly. More importantly it was my first step that would lead me to Thunderbirds.  Interestingly I would briefly own a 60s Mosrite in '75 and the Univox compared very favorably.
   I've wanted a Hi-Flyer for my early years collection for a long time but other priorities seemed to always pop up. As a present for my recent Bday my dear wife let me get this '75 phase III in Sunburst.  I always thought these were the best version with the humbucking pickups and upgraded tuners.
   I gotta tell you I am really pleased with this bass build quality is very high and it plays and sounds great! I was a bit surprised that my memory of the bass was exceeded by having one in my hands today.  Video review coming soon.Image Url =

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Maker of the Badbird Bridge, "intonation without modification" for your vintage Gibson Thunderbird

morrow

I found one a while back , it's a Phase 2 with the P90 style pickups , and I've come to really love it. I think mine's from around 73 or so. Now mine is strung with flats , and I tend to go for a rich old school thump. You have a very different preference for tone.
I started dragging it out to rehearsals and gigs. It sounds really good. It's also extremely light. The neck is lovely. And I've become quite taken by it. I put Jazz style knobs on it but have safely kept the originals. I like the bridge cover.
Now you may find it's too tiny , or too light.
I was not prepared to like it as much as I have.

Have fun with it , I'll be interested in how you feel about it.



morrow

Now the tuners on mine were not very good. I went looking for replacements but couldn't find a true replacement. They were on a lot of Matsumoku instruments in the mid 70's.
I came across a YouTube video that suggested that a good cleaning and lubing might be all they needed.

And they now work perfectly , no slipping. It's a miracle. It also made me wonder how many tuners have been needlessly trashed.

ilan

Congrats!

Last week I've lowballed this one and lost.


slinkp

Those are indeed very nice to play and sound good. I had a single-coil sunburst one for a while in the 1990s. Wish I still had it.  I mangled mine into a sort of homemade baritone by converting it (badly and cheaply) into a six-string instrument. I don't know where that instrument ended up.
Basses: Gibson lpb-1, Gibson dc jr tribute, Greco thunderbird, Danelectro dc, Ibanez blazer.  Amps: genz benz shuttle 6.0, EA CXL110, EA CXL112, Spark 40.  Guitars: Danelectro 59XT, rebuilt cheap LP copy

Dave W

Scott uploaded this yesterday.

Really sounds great to me.


morrow

I found mine in Ontario for a very reasonable price , it had been sitting there for a while. Mine is very light , the body is thin. Now some may equate the light , thin body as "cheap" , I think of it more as being very comfortable. I had always thought a Mosrite style bass would be fun , and was aware the originals had some design issues. Many that have owned both have told me the Flier is a much better instrument. So I was happy to find one.

Mine is strung with flats and carries a very substantial , rich , and deep thump. It sits in a band mix with authority. It sounds really good. Regardless of the amp I've used.

The neck is slightly on the thin side but not overly so. There is a slight taper but the upper register is very comfortable to play. There's a three position selector switch and then master tone and volume pots. So you can't dial back or mix the pickups , it's all or nothing. On the other hand there is a lot to be said for the simplicity of two knobs , even at the expense of fine tuning control. However it does sound really good.

I've been using it much more than I expected to. Both on gigs and at home. Those that have played it like it a lot.

Now many of these underwent serious abuse in the fifty years they've been around. But if you enjoy a short scale , and see one going for a reasonable price...

Grab it.

morrow

#7
A minute or so of goofing around on the Flier , it's in a little Darkglass e500 and a mini Phil Jones C2 cab.  The preset used in the e500 is one I just made.
I was after a pretty straightforward basic tone , no weirdness there except for the slightest touch of reverb to have a little more room sound.
Clicks and buzzes are all me.



The Flier really is a fine little thing.

godofthunder

Maker of the Badbird Bridge, "intonation without modification" for your vintage Gibson Thunderbird

godofthunder

 Here's a little video of mine. I get to yaking but I do play it about half way through. 
Maker of the Badbird Bridge, "intonation without modification" for your vintage Gibson Thunderbird

lowend1

Ah, my first bass (not including an awful Kay that I rented). I bought it and the accompanying UB250 amp without informing my parents. Dad was very annoyed because he was certain I was "going to quit" and be stuck with the gear. I had the Uni for about two years and then traded up to an Ampeg Big Stud. Wish I still had both...
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