I'm almost certain that someone will be able to help with this.
When I first had my RD, the switches need a quick squirt - nothing major,
just to sweeten things up.
I found there was a "Sweet" spot on the mode switch, that made the
whole thing a lot more interesting.
The back position, I don't bother with, to be honest - compressed lower powered
on the neck and tinny on the bridge - both together, alright but I dont use that.
Mid position, fine - treble boost fine but there is an "inbetween", just before the
switch goes all the way.
So good, that for a day or two I set the switching to that selection, using a piece
of card, so no harm was done.
As I have been thinking about selling it, I have been using it again and over the weekend
couldn't resist trying it again.
I have played another Artist and a couple of Std's but never another Artist against mine.
So. . . . on the MODE switch, could someone point out which contacts should make/break
in the 3 positions - just so I can check.
I have to admit that engaging the "Supercharger" mode makes me think I should hang onto it.
Don't get me wrong, I have always been more than happy with the way it is/came to me and
always cuts through very well when gigging but I would like to see how yours is wired - Jules.
Uwe and anyone else.
Stands back and waits for deluge of replies/pics/sketches of what makes/breaks!!
Don't confuse me with a wiring diagram!!!!!
Cheers,