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Messages - amptech

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736
The Outpost Cafe / Re: RIP Allen Holdsworth
« on: April 16, 2017, 11:14:54 PM »
Allan Holdsworth have inspired me more than any bass player I can think of. I still remember when a friend of mine brought over IOU when we were 17 or so. His limitless approach to music made us realize that you can actually play everything you are able to imagine.



Thanks for everything, sweet prince.

Thanks for making so many of us dare to take a step beyond, bringing life to the most amazing fairy tales of Music, and reaching for the uncommon chord. 

737
Fortunately I haven't had to use the debonder, but I've been told it works well.

Grown men keep the glues and lubricants in separate rooms :mrgreen:

738
The Bass Zone / Re: Some really tasty fretless playing
« on: March 29, 2017, 10:03:31 PM »
Thanks for sharing, pekka. Didn't know Weber had worked with Frisell. Nice!

739
Special T for me too, if there is a tiny gap. I try to have both green and yellow at hand, they do come in handy.

740
The Outpost Cafe / Re: RIP Chuck Berry
« on: March 25, 2017, 12:08:30 AM »
Nice video!

741
The Outpost Cafe / Re: Aussie Mark needs some good vibes
« on: March 25, 2017, 12:02:30 AM »
Best wishes, Mark!

742
Bass Amps & Effects / Re: Gibson LP-12 anyone??
« on: March 21, 2017, 11:00:00 PM »
I was under the impression that the amp was built at the Standel factory. Gibson quit amp production around this time at Kalamazoo. CMI had purchased the holdings of the Standel Co. A book of mine states that the "G" Series amps were built there, but no mention of the "Batwing models or the LP-12.

Is that the Gibson amplifiers 1933 - 2008 book you are referring to? I see that in that book it says the 'G series' ans 'SG systems' were made at the Standel factory, but regarding the Lab series no Production site is mentioned - only that it was made by the Moog team.

743
Gibson Basses / Re: Dating a 70s Gibson SG guitar?
« on: March 18, 2017, 12:10:34 AM »
So how does one properly set up a stock harmonica bridge to work with a bigsby?  Is there some setup trick I'm missing? Smooth saddle slots maybe?

There's no trick, but both nut and saddles need special attention for it to work as good as possible. They must not catch or 'bite' the strings in any way. Polish the bottoms with fine sandpaper. You can add some lubrication (graphite, ex) if you wish. And make sure the bearings on the bigsby work smooth.

And some even use flat bottom filing on the nut, this demands some skills however. There is lots of tips and vids if you Google. 

744
Gibson Basses / Re: SB400
« on: March 16, 2017, 11:14:59 PM »
This SB400[/url] doesn't have the body edge bevel - so did some have them and some didn't?

I think that all of the SB300 listings I've followed have had a bevelled body. When thinking of it, I have seen a non-bevelled SB400 before. Maybe they got feedback on the longscale SB's that they were neck divers, and tried to solve it by removing less wood on the body? 

745
Gibson Basses / Re: SB400
« on: March 16, 2017, 10:45:43 AM »
The bottom of the truss rod cavity is painted white, so either it's the original finish or someone removed the acorn nut and truss rod before refinishing. But if it's original, why is the headstock logo missing?

The bridge seems to be missing the white nylon saddles. So I found this page, explaining how to mod Tune-O-Matic saddles to fit the SB type bridge.

I can't see anyone painting a headstock without covering the nut/truss rod at least, it not too hard to get paint in there. Not saying it's not original finish - but I would not make a judgement by the painted truss rod cavity.

It is supposed to have a black decal, and those decals are pretty tough. Unlikely to 'wash away' by accident, it's more likely sanded off before headstock was painted.

746
Gibson Basses / Re: Dating a 70s Gibson SG guitar?
« on: March 14, 2017, 11:13:33 PM »
Many people think that a Bigsby needs to have a roller bridge for better tuning stability, which may be why the OP is looking for one to replace the harmonica bridge. IMHO as long as the bridge is stable, it makes little or no difference.
If saddles are too deep or 'bites' the string no vibrato unit will stay in tune or work well. It's just a part of the setup. The bigsby is a good working unit when set up correctly. That said, tuning a guitar between songs is also a part of being a musician!

But I agree, you don't need a roller. Just make sure the bridge saddles and nut is set up for the bigsby.

747
Gibson Basses / Re: Dating a 70s Gibson SG guitar?
« on: March 13, 2017, 11:07:03 PM »
The bridge/Bigsby combination on mine just does not work... instantly puts the beast out of tune... bridge wobbles on the studs...

You have the Gibson/Bigsby with the white solid teflon-like bearing? I think it's the bearing that does not age well. I used this unit on a 6 string (EB-6) Project, but I replaced the teflon bearings with needle roller bearings. Took some time to locate the bearings, but when fitted the unit stays in tune very well! And it's a rather cheap mod.

749
Gibson Basses / Re: SB400
« on: March 12, 2017, 11:16:21 PM »
Funny thing, the listing includes a complete SB350/450 control plate.

I think the 300/400's were available only in cherry and Walnut, but who knows. I've been on the lookout
for a 300/350 to make a fretless SG bass, as my experiments with EB0/maho body/maho neck turned out to be no good. But the few Project SB300/350's I have found have been too clean or too expensive.

I think the ones I've seen have sold for about $900-1000, but they don't pop up too often. There is one locally (Norway) available for $1300 but he's dreaming.

If this auction was for a shortie, I'd be all over it. Good Luck!


750
The Bass Zone / Re: Some really tasty fretless playing
« on: March 07, 2017, 12:04:19 AM »
I like fretless played that way. Weber can pe the Perfect spice in a stew of good musicians. His solo stuff can be a bit boring, though.
The 'colours of chloĆ«' album for example, is a weird collage of bits and pieces and never really gets anywhere. But when he plays bass on colours of chloe with Gary Burton/band on the ring album, it's pure magic!   

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