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Messages - neepheid

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301
Bill's Shop: Projects, Mods & Repairs / Re: Headless Thunderbird
« on: August 08, 2011, 07:14:38 AM »
Progress report:

Neck is now definitely headless :)






New neck pocket routed out (a little tight, but better that than too loose)





I am now stalled at the point of deciding what to do about dusty end access.  As it stands all I've added is one even more difficult to get to fret onto a Thunderbird.  I can't decide where to put the neck screws until I've worked this out.

302
Bill's Shop: Projects, Mods & Repairs / Re: Headless Thunderbird
« on: August 03, 2011, 02:43:54 PM »
Sorry for the lack of updates, I ran out of steam and there was stuff round the house to do (put up shelves, fit an extra front door lock because our neighbours keep dubious company, blinds to put up).

Anyway, I've got my second wind, so here we go :)

I got to work on attaching the neck to the body. Having never made a neck pocket in my life before (this neck is so different from the old one it's like making a new one) I was nervous about this. I was reading this very useful article which gave me the impetus to get off my backside:

http://buildyourguitar.com/resources/pocket/index.htm

However, I'm not quite ready to go straight to the body, so instead I made a template out of MDF marked with a centre line so I can place it on the (similarly marked) body. Using the same trick of clamping two lengths of wood to the sides of the neck then removing the neck I got this (with a router with a roller at the top of the cutter):



Applying this to a spare bit of MDF yielded this:



Which unfortunately was "70s Fender" tight ;)



No worries though, I have a trick for this eventuality.  I will apply an appropriate number of layers of electrical tape to the guide roller, pulling the cutter away from the template edge and making the hole a little smaller.

In other news I have decided to get some high end headless hardware to do a right good job of this project.  I have gone with ABM stuff.



Eventually, I hope it's going to end up something like this:




Except that the pickguard will be black.

303
Gibson Basses / Re: eb4l d tuner
« on: July 18, 2011, 06:03:12 PM »
Schaller M4S is the tuner, and yes, the capstan/pinion of a Grover Titan will fit in a Schaller M4S.  I know this because I had an M4S with a broken central screw in my Victory Artist and I replaced the capstan/pinion/screw with one from a Grover Titan.  Worked fine.  Eventually I got the right bits from Schaller to fix it though.

304
Does the Hodad have a 1 meg tone pot? That would explain the almost all or nothing effect.

It does - a 1Meg/100k stack pot.  The most unusual pot values on a concentric I've come into contact with.

305
...which I would love to hear with a 'hog body. Maple really limited the tones to what I like to call "the JBL tone." IOW, what flavor of too bright would you like?

I think mine (1978) has an alder body.

306
That would be a cheap and easy fix with a better quality pot and/or possibly a different value tone cap, pot value and taper.

I know, but that doesn't change the fact that it's how they appear on your doorstep in stock condition.

Quote
What color is yours? I have a black one that got the last set of Fralin Thunderbuckers from RS Guitars that is rapidly becoming my favorite bass. Mine also seems to have a MUCH slimmer neck joint, as the three others I have ever held all had baseball bat necks on par with the worst Gibson ever put on their RD's, while mine has an almost Fender Jazz-like first position.

 It must have been fate for that particular bass and myself because I bought her online from a Guitar Center in Chicago last year. I had never adjusted a three-point before, but the simplicity and aethestic of that big hunk of metal coupled with a kickass set of pickups, pots, caps and wiring and nice set of flatwounds make my Paul sing, sustain, and growl in ways a Fender style bass could never begin to replicate.

I had played and HATED the Bartolini equipped, Fender syle-bridged Gibson LP Studios and Customs when they were new, and had it not been for Eddie from the Supersuckers, I would have written off the entire line.

My Epi was black with cream binding.



Was?  It had to go when I got my Guild B402-A.  One in, one out.  Now I really have nothing to trade, so I'm going to have to save up for my next one ;)

For what it's worth, I loved this bass, it had a chunky neck (which I like - Jazz necks feel like toys to me) and the fit and finish was excellent.  Lovely flowerpot inlay on the headstock.  I wasn't that impressed with the tone of the stock pickups so I gutted it and fitted EMG-HB pickups with an EMG-BQC control (3 band EQ with mid sweep).  I also hated the fact that the Epi had no selector switch, so I fitted one.  Drilling into a carved top, set neck instrument was an interesting challenge :)

I also dislike the 3 point bridge, but without major complicated surgery there wasn't much I could do about it.

307
Any comments about the Hodad?  Evidently its performance didn't persuade you to hang on to it....

I really liked it, it had a nice neck on it (fairly wide but not too chunky) and having the full seven combinations available was fun.  The tone control was a bit all or nothing, if I must offer a criticism.  It was light, quite a lot of neck dive (only mitigated to a degree with a wide suede-y strap).  I did a gig with it and it went well.  Love the looks, that deep blue sparkle finish coupled with the lipstick pickups looked amazing in real life.  Bridge was a bit dubious (being only screwed down with 1 screw and resting on another 2), but at least it can intonate strings individually and I didn't have any problems with it while I had it.

Contrary to what you might think I got rid of it because I had an opportunity to augment my Gibson collection soon after its arrival and I had to sell something to raise funds.  This decision had little to do with its performance and more to do with the fact that it was the odd ball in an otherwise pretty focused collection.  I wasn't willing to sell one of my Gibsons to get the other Gibson, I didn't want to part with my Epi Les Paul Standard because that's vaguely related to the Gibson theme, and my G&L L-2000 is the one bass I would keep if everything hit the skids as it's sensible, reliable and frankly bloody awesome.

308
Been there, done that with the Gibson G-3:



Also I had for a short while a Danelectro Hodad:


309
Other Bass Brands / Re: No love for G&Ls
« on: July 01, 2011, 02:07:20 AM »
FWIW, I like the "eye gouger" headstock.  It's instantly recognisable as a G&L.  I think the old ones look quite non-descript and boring.

Heh, we're all different.  Ultimately it matters not one jot what everyone else thinks at the end of the day - if you have a G&L and you like it then good for you and keep on playing.  If you have a G&L and you don't like it then you can always give it to me ;D

310
Other Bass Brands / Re: No love for G&Ls
« on: June 30, 2011, 03:24:19 PM »
I have a Tribute L-2000.  It is my only sensible bass.  MFD pickups are amazing.  Do people really think that they're "basically Fenders"?  Seriously?

311
Other Bass Brands / Re: 1981 Guild B402-A
« on: June 30, 2011, 06:31:52 AM »
Looks and sounds great!  What other colours did they come in?

I've only ever seen the 401/402 in natural or the weird half 'n' half.  Doesn't mean there weren't other options of course, but not as far as my knowledge goes.

312
Other Bass Brands / 1981 Guild B402-A
« on: June 29, 2011, 04:29:26 AM »
Allow me to introduce the latest addition to my collection of "under-appreciated American basses of the 70s and 80s" - a 1981 Guild B402-A.  Please excuse the rather washed out looking mobile phone pics:





Here's one better colour from the auction (showing the original hard case):



I've always been intrigued by the Guild B300 series basses, I loved the quirky shape coupled with the traditional build touches like the set neck and 2 + 2 headstock.  However, I questioned the need in my collection for another passive, 20 fret, single coil bass (that base being covered very nicely by the Gibson G-3).  So it went on the "if I was loaded/bored" list.

That was until I discovered the B400 series.  Early active electronics, 22 fret nonsense anyone?  Yes please!  I realised that I had seen one before - one of the weird ones that they stained the front and back faces of the body and left the rest (including the contours) clear. 



I probably thought "Yuck!" and left it at that without even thinking.  Anyway, while doing my research I discovered that they were only made for 2 years (1980-81) and only 335 were made (assuming all serial numbers were allocated).  That's 335 total of single and double pickup varieties.  That's not a lot.  I didn't feel too hopeful.

So, imagine my surprise when one dutifully appears on eBay, right on cue.  I hummed and hawed for a day or so then decided to go for it.  You only live once and all that.

Well, I'm delighted with it.  Sounds great, feels great, looks weird - completely at home in my collection!

A couple of nights ago I did some cleaning - dismantled the tuners and cleaned them up, polished the brass nut and the frets.  I'll take some nicer pics with a proper camera soon.

Last night I put together some soundclips.  They're not very good (recorded direct into Audacity through an E-MU 0202 USB) but hopefully they show the tonal variety.

http://www.ifb.co.uk/~matthew/mp3/b402-a%20soundclips/

313
Gibson Basses / Re: 82 Victory
« on: June 28, 2011, 05:13:10 AM »
With a decent strap I don't find my Victory too bad.  I've tried a few (Mono, Planet Waves pad on regular strap) and found the Neotech Mega strap to be the best at making the load bearable.

http://neotechstraps.com/mega-strap.html

Oh and because I never get tired of plastering a picture of my restored 1981 Victory on any relevant thread -


314
Bill's Shop: Projects, Mods & Repairs / Re: Headless Thunderbird
« on: March 14, 2011, 03:10:25 AM »
Hmmm, some private jokes being passed around here ;)

I think I've scored a neck so while I wait for it to arrive I've been removing the finish from the body.  The black stuff isn't too bad but there's a sealer coat underneath that is proving a lot tougher to shift.




315
Bill's Shop: Projects, Mods & Repairs / Re: Headless Thunderbird
« on: March 11, 2011, 04:10:32 AM »
I've started to think about the dusty end access (especially as I've secured a 21 fret neck) and came up with this:



I realise this shape change will be heresy to some, but I think it's fairly subtle.  All I'm doing is continuing a line a bit further then ending in a tighter turn where it meets the neck pocket.  What do you think?

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