The tone control was a bit all or nothing, if I must offer a criticism.
That would be a cheap and easy fix with a better quality pot and/or possibly a different value tone cap, pot value and taper.
I didn't want to part with my Epi Les Paul Standard because that's vaguely related to the Gibson theme,
What color is yours? I have a black one that got the last set of Fralin Thunderbuckers from RS Guitars that is rapidly becoming my favorite bass. Mine also seems to have a MUCH slimmer neck/headstock joint, as the three others I have ever held all had baseball bat necks on par with the worst Gibson ever put on their RD's, while mine has an almost Fender Jazz-like first position.
It must have been fate for that particular bass and myself because I bought her online from a Guitar Center in Chicago last year. I had never adjusted a three-point before, but the simplicity and aethestic of that big hunk of metal coupled with a kickass set of pickups, pots, caps and wiring and nice set of flatwounds make my Paul sing, sustain, and growl in ways a Fender style bass could never begin to replicate.
I had played and HATED the Bartolini equipped, Fender syle-bridged Gibson LP Studios and Customs when they were new, and had it not been for Eddie from the Supersuckers, I would have written off the entire line.