Sloppy fretless playing - isolated bass track

Started by Aussie Mark, November 30, 2010, 08:31:49 PM

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Aussie Mark

Cheers
Mark
http://rollingstoned.com.au - The Australian Rolling Stones Show
http://thevolts.com.au - The Volts
http://doorsalive.com.au - Doors Alive

Freuds_Cat

@#$%^&*!!  I cant see/hear any of these until I get home from work. I'm a big fan of Wyman and am one of the believers who think he is greatly underated.
Digresion our specialty!

Denis

Why did Salvador Dali cross the road?
Clocks.

Hornisse

Works perfectly with the track!  Charlie Watts is one swinging drummer too.

dadagoboi

Wasn't aware this was played on a fretless, is it documented somewhere?  Nothing in 'Stone Alone ' that mentions it IIRC.  Great song and track.

Hornisse



He used that "home made" fretless bass on a lot of the early Stone's records.  Not sure what it was before he cut down the body and removed the frets.

Dave W

I don't think this is sloppy and it doesn't sound like his fretless playing.

IIRC he has said that the homemade fretless he used on some of his earlier work was a no-name Japanese bass. The frets rattled so he pulled them.


Aussie Mark

Quote from: nofi on December 01, 2010, 05:59:09 AM
i don't think that was particularly bad.

My thread title was tongue in cheek.  I think it's great playing actually
Cheers
Mark
http://rollingstoned.com.au - The Australian Rolling Stones Show
http://thevolts.com.au - The Volts
http://doorsalive.com.au - Doors Alive

Aussie Mark

Quote from: Dave W on December 01, 2010, 09:22:16 AM
IIRC he has said that the homemade fretless he used on some of his earlier work was a no-name Japanese bass. The frets rattled so he pulled them.

In one of his books that I have ("Rolling With The Stones") he says that he continued to use the defretted bass on studio recordings for many years even after he switched to the Framus/Mustang/Dan Armstrong/EB-3/Steinberger live.
Cheers
Mark
http://rollingstoned.com.au - The Australian Rolling Stones Show
http://thevolts.com.au - The Volts
http://doorsalive.com.au - Doors Alive

Freuds_Cat

Wyman is an amazingly accesible correspondant. A few years ago I emailed him after reading Stone Alone for no other reason than to let him know that I enjoyed the book and and that I was wondering when he would follow it up with the next book continuing on from Brians death.

He is known to be quite pedantic about replying to all letters sent to him and sure enough he not only replied but got into a two way conversation with me over 3 emails about ghost writers and their merits and failings actually mentioning names which was pretty interesting. He asked questions about me and my life and eventually promised that his son Stephen who runs his office would make sure that I was made aware when the new book became available.
I was notified and was very happily surprised to find that when my copy arrived (I did order and pay like anyone else) it was signed by Bill which I did not ask for.
Digresion our specialty!

Highlander

The random mind of a Silver Surfer...
If research was easy, it wouldn't need doing...
Staring at that event horizon is a dirty job, but someone has to do it; something's going to come back out of it one day...

Dave W

Quote from: Aussie Mark on December 01, 2010, 02:51:08 PM
In one of his books that I have ("Rolling With The Stones") he says that he continued to use the defretted bass on studio recordings for many years even after he switched to the Framus/Mustang/Dan Armstrong/EB-3/Steinberger live.

So this track could have been done on it, and maybe it was. It still sounds more like his fretted playing to me.

As always, I could be wrong.

Chaser001

I've always liked Bill Wyman's playing very much.  I've never understood why he doesn't get more credit. 

uwe

No one whose first name isn't Mick (J.) or Keith ever gets any credit with the Stones. Brian, the other Mick (T.), Ron and Bill learned the hard way. Charlie is the one possible exception, but then he gets to punch Mick J.!
We've taken too much for granted ... and all the time it had grown ...
From techno seeds we first planted ... evolved a mind of its own ...

Deathshead

Im beginning to think more and more that short scales sound a bit meaner than 34" basses.....

whats the deal with the high end ring/overtones in many of these 60s isolated bass recordings?.