Way overpriced one-off smart wood les paul bass off to ze Reich!!!

Started by Deathshead, February 17, 2010, 12:42:12 PM

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Psycho Bass Guy

#15
Quote from: uwe on February 17, 2010, 01:50:39 PM
None of you held me back. As usual.  :-\

Perhaps a post mortem comment? Gotoh-style bridge+ Barts = ass tone. 8)

Of course, that's just my assessment.  :mrgreen: ;)

TBird1958

Resident T Bird playing Drag Queen www.thenastyhabits.com  "Impülsivê", the new lush fragrance as worn by the unbelievable Fräulein Rômmélle! Traces of black patent leather, Panzer grease, mahogany and model train oil mingle and combust to one sheer sensation ...

uwe

We've taken too much for granted ... and all the time it had grown ...
From techno seeds we first planted ... evolved a mind of its own ...

Psycho Bass Guy

Quote from: TBird1958 on February 17, 2010, 04:07:12 PM

ass tone   ;)

...not the good ass: the bad one, like a midrangey fart, only with less substance and more nasal honk. I don't care if you're into double anal fisting ala John Waters' standup routine, that bass is going to sound like garbage.   :P ;D :o

uwe

Clickuh-dee-clack & snap!

I'm no Barts fan myself. They sound alright on my fretless LPs, but that isa about it. That sound - state of the art as it was at the time - has aged about as well as shoulder pads.
We've taken too much for granted ... and all the time it had grown ...
From techno seeds we first planted ... evolved a mind of its own ...

uwe

But I don't find it middish at all. The issue is that it lacks mids, it's all sparkling presence and subwoofish lows, no gut in the middle. Hence my slap-bass allusion.
We've taken too much for granted ... and all the time it had grown ...
From techno seeds we first planted ... evolved a mind of its own ...

Psycho Bass Guy

To me, there are good mids, around 200-300 Hz, and bad mids, anything 500Hz on up. (Can you tell I LOVE the Ampeg tone stack?) Those pickups have, as you said, 'subwoofery' lows, but no low-mid girth to help define the note and set it in a mix. To try and make up for it, they have an insanely exaggerated top end to put "clack and sizzle" in there in an attempt to help give the instrument a voice.  The Les Paul bass sounds good and unique because it has a natural low-mid boom that Fenders and Fender-types usually lack. The Barts completely negate that, and add a crappy sound of their own to boot.

Can you guys tell that I'm beginning to get the Gibson bug?  What the hell have you done to me? I've always been a passing fan of a GOOD T-Bird or Les Paul bass, but never really considered them "my thing." The ONLY set neck instruments in my house are my Waterstone 12'er and my wife's Guild Bluesbird. Now I find myself drawn to the "mudbucker side."

uwe

Your slowly recovering from fenderitis, a common and vile disease that needs to be eradicated off the face of this earth.

I agree with everything you wrote about the Barts. I wonder if they sound any better without the TCT active circuit?
We've taken too much for granted ... and all the time it had grown ...
From techno seeds we first planted ... evolved a mind of its own ...

Highlander

Now now, Herr Bassmeister... as Dave explained to me quite succinctly... Fender's have their rightful place... ;)
The random mind of a Silver Surfer...
If research was easy, it wouldn't need doing...
Staring at that event horizon is a dirty job, but someone has to do it; something's going to come back out of it one day...

Pilgrim

Quote from: uwe on February 17, 2010, 05:17:37 PM
Your slowly recovering from fenderitis, a common and vile disease that needs to be eradicated off the face of this earth.


HEY!  I resemble that remark!!



"A computer lets you make more mistakes faster than any other invention with the possible exceptions of handguns and tequila."

hollowbody

#25
That LP bass was on craigslist in Buffalo for $1400 a week ago.  That might help you in choosing a price if you were to put an offer in on it.

Oops, I see that you already put a bid in on it.

Highlander

The random mind of a Silver Surfer...
If research was easy, it wouldn't need doing...
Staring at that event horizon is a dirty job, but someone has to do it; something's going to come back out of it one day...

Hornisse

Quote from: uwe on February 17, 2010, 04:27:46 PM
Clickuh-dee-clack & snap!

I'm no Barts fan myself. They sound alright on my fretless LPs, but that isa about it. That sound - state of the art as it was at the time - has aged about as well as shoulder pads.



Mmmmmmmmmmmm.............Shoulder pads........

Dave W


Psycho Bass Guy

Quote from: uwe on February 17, 2010, 05:17:37 PM
I agree with everything you wrote about the Barts. I wonder if they sound any better without the TCT active circuit?

I doubt it.  My G&L (another company whose bass sound is normally very pickup-defined) L5500 which has EMG's (another 'neutral sounding' pickup) and a similar preamp, sounds great, but it doesn't sound like any other G&L. The Bart equipped Les Pauls just sound bad. I guess you could compress the crap outta them in the studio for a psuedo-Ken Smith tone, but it's a crying shame to take such a naturally raucous instrument and for all intents and purposes, neuter its sound.  The Designing Women picture is an apt comparison.