'74-75 Wine red Grabber, trade for P bass ?

Started by godofthunder, August 09, 2009, 07:35:02 AM

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godofthunder

I have a line on a '74-'75 Grabber in wine red, the guy might take a MIA P for it. I have a very nice unplayed '08 MIA P white with rosewood, tort guard nice flame on the back of the neck. Think it's a good trade ? http://www.talkbass.com/forum/showthread.php?t=569437
Maker of the Badbird Bridge, "intonation without modification" for your vintage Gibson Thunderbird

uwe

Only if the Vintage feel of the Grabber means an awful lot to you. To me, a Grabber always feels a bit cheap in comparison to a good P Bass and - I can't believe that I am writing this! - a P Bass has soundwise both more authority and focus. The Grabber is a middish affair and those mids tend to be all over. Sounds great ona fretless, but on a fretted bass ... The Grabber II is a much better proposition me thinks.

Here I am advocating that F-brand over Gibson ... [ : - < ]
We've taken too much for granted ... and all the time it had grown ...
From techno seeds we first planted ... evolved a mind of its own ...

godofthunder

#2
The feel of Grabber doesn't mean a whole lot to me, I don't really use the one I have, same could be said for the P basses I have. The only P bass that gets any use is the fretless, 2 songs a night. I like the Kiss connection and I like vintage so that's my interest in this bass. I do have a nice 1980 Grabber in black that cost me all of 450.00. I like the wine red finish, a bit rare and in looking in my bass room I have far to many Fender type basses ! I think value wise they are about equal, the Grabber is Vintage USA while the P is just that a new P not particularly uncommon. Didn't Gene have a wine colored one early on ?
Maker of the Badbird Bridge, "intonation without modification" for your vintage Gibson Thunderbird

uwe

Yes he did and he liked it better over his Rippers because it was raunchier. Which it is, but it also lacks the Ripper's depth and calm authority.
We've taken too much for granted ... and all the time it had grown ...
From techno seeds we first planted ... evolved a mind of its own ...

godofthunder

Maker of the Badbird Bridge, "intonation without modification" for your vintage Gibson Thunderbird

uwe

What have I done ...

"Dear Leo F., whereever you are now (hopefully somewhere where the cloud-resident Commander-in-Chief has suitable own bolt-on experience too!), I wash my hands in innocence, it is not like I did not earnestly try!!!"
We've taken too much for granted ... and all the time it had grown ...
From techno seeds we first planted ... evolved a mind of its own ...

Dave W

As far as current value goes, they're about equal. You won't get hurt financially by doing the trade.


barend

I like that bass. Never played on a Grabber, but I have played on Rippers and G3's so I guess it feels the same.
I like Gene's Grabber sound and the soundclips of the bass sound really good. So go for it!

uwe

It feels exactly like a G-3, but has less bass and presence, with a strong emphasis on the midrange.
We've taken too much for granted ... and all the time it had grown ...
From techno seeds we first planted ... evolved a mind of its own ...

barend

I play my G3 always with the pickup switch in position 1 (bridge and middle pickup). That sound also has a lot of midrange and less bass, almost like a fusion type jazz bass bridge pickup sound. So I guess I will like the Grabber sound also.

Hornisse

On my old G-3 I did a very easy modification.  I reversed the treble and middle pickups.  The up position was the bass and treble pickup, middle position all 3, and down position still the middle and treble pickups. 

uwe

Huh? Then the two positions were the same then, what was that good for?

I know some people changed either the middle/treble or the middle/bass to a treble/bass combo on their G-3s for a more Jazz bassy sound.

And I caution anyone to believe that a G-3 wired in any position sounds anything like a Grabber. If a G-3 is a Jazz with more ooomp, than a Grabber is a real dirty P minus the latter's clear presence.
We've taken too much for granted ... and all the time it had grown ...
From techno seeds we first planted ... evolved a mind of its own ...

uwe

Oooops, correction liebe Hornisse, I misread your post. Now of course it makes sense and is the mod I mentioned (and have on one of my two G-3s, courtesy of the pre-owner).
We've taken too much for granted ... and all the time it had grown ...
From techno seeds we first planted ... evolved a mind of its own ...

Hornisse

Not a problem Uwe.  It did give a sort of "jazzbassish" tone to it.  But back when I played the G-3 my dad was stationed in Panama and I used the original Monel Gibson bass Flatwounds on her.  Great strings but they were very old and it wasn't until moving back to the States when I put on some GHS Boomers (which I like more now than I did then) that the bass really came alive.