Rex Brown Tbird?

Started by Chris P., June 27, 2022, 02:38:02 AM

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ilan


uwe

But Stanley C. may do anything he wants! The 'manliest' jazz rock player there is, even with a short scale. He can do no wrong.

Quod licet Iovi, non licet bovi!!!
We've taken too much for granted ... and all the time it had grown ...
From techno seeds we first planted ... evolved a mind of its own ...

ilan

I once shook his hand. He's a giant. He plays his upright bass like a ukulele.

Here he is with another shorter-than-34" neck-thru. Gruesome? I think not.




uwe

#78
Let's see: Given the inherent limitations of that particular niche brand of undersized bass guitar, anybody getting a proper sound out of it truly deserves to be lauded.



PS: I find Stanley's bass playing extremely physical and muscular. I can marvel watching him while Jaco - no doubt a brilliant player - leaves me cold. Weather Report is nice to hear plus airy and all that, but Return to Forever is 'heavy jazz rock' that connects with me.

PPS: Together with the TBird, the Ric 4001/4003 is the artisiest, purest, most idiosyncratic & complete plus prettiest bass design ever. Nuff said.
We've taken too much for granted ... and all the time it had grown ...
From techno seeds we first planted ... evolved a mind of its own ...

gearHed289

Quote from: uwe on July 21, 2022, 09:00:08 AM
Let's see: Given the inherent limitations of that particular niche brand of undersized bass guitar, anybody getting a proper sound out of it truly deserves to be lauded.

Well thank you Uwe!

Quote from: uwe on July 21, 2022, 09:00:08 AMPS: I find Stanley's bass playing extremely physical and muscular. I can marvel watching him while Jaco - no doubt a brilliant player - leaves me cold. Weather Report is nice to hear plus airy and all that, but Return to Forever is 'heavy jazz rock' that connects with me.

Likewise.

Quote from: uwe on July 21, 2022, 09:00:08 AMPPS: Together with the TBird, the Ric 4001/4003 is the artisiest, purest, most idiosyncratic & complete plus prettiest bass design ever. Nuff said.

No argument here!

ilan

Well that was a nice thread derailment.

morrow

I picked up a 4000 after using a 4001 for years and was quite surprised to find I did not miss the neck pickup and the extra knobs one bit .
In fact , the simplicity of just two knobs is nice .
Great sounding bass .

uwe

Quote from: ilan on July 22, 2022, 08:21:55 AM
Well that was a nice thread derailment.

You have a habit of doing that, Ilan, really. It drives me nuts.  :-X





...  :mrgreen: :mrgreen: :mrgreen: :mrgreen: :mrgreen: :mrgreen: :mrgreen: :mrgreen:
We've taken too much for granted ... and all the time it had grown ...
From techno seeds we first planted ... evolved a mind of its own ...

morrow

Quote from: ilan on July 21, 2022, 08:12:18 AM
I once shook his hand. He's a giant. He plays his upright bass like a ukulele.

Here he is with another shorter-than-34" neck-thru. Gruesome? I think not.



That might well be a set neck .

Alanko

I've never heard a Stanley Clarke bass tone that has approached pleasing.

amptech

Quote from: Alanko on July 22, 2022, 02:31:59 PM
I've never heard a Stanley Clarke bass tone that has approached pleasing.
Didn't he use an EB-2 on the first RTF album?
I must admit though, the only RTF albums to get my attention was no mystery and hymn of the 7th galaxy.
I spent a few hours learning the title cut of the latter back in the day, so I guess he was some kind of early influence - but I admit that his tone was not really spongeworthy.

ilan

#86
Quote from: amptech on July 23, 2022, 01:42:23 AM
Didn't he use an EB-2 on the first RTF album?

From Vintage Guitar Magazine interview, January 2015 issue:

My first electric bass was a Kent. I think it cost $20 [...] After that, I got a Gibson EB-O with black strings on it, I don't know what they were, but they sounded dull, man. I played it in early Return to Forever, too, until Rick Turner came to a gig in San Francisco and politely said, "You're a really good player, but your sound sucks." Said it just like that! [...] and he went to his car and brought back one of the first Alembic basses. I played that thing, and it was like night and day. [...] On Return to Forever's Hymn of the Seventh Galaxy, I used a Gibson except on one tune, "Theme to the Mother Ship."

I think his early bass guitar tone stems from him being first an upright bass player.

If Hymn of the Seventh Galaxy was recorded with an EB-0, then it's the best use of an EB-0 I've heard. But on another interview he said, "Before the Alembic I was playing a Gibson EB-0, and it's a nasty-sounding bass. It looked like a Chet Atkins guitar." Huh? Maybe he had an EB-2 or an EB-2D? I've never seen a picture of him with a Gibson (other than one with a black G3).

godofthunder

Quote from: morrow on July 22, 2022, 08:50:14 AM
I picked up a 4000 after using a 4001 for years and was quite surprised to find I did not miss the neck pickup and the extra knobs one bit .
In fact , the simplicity of just two knobs is nice .
Great sounding bass .
I had a 4000 in the early 80's,   est Ric I ever owned! I sold it to finance my move to Boston in '83 to become a Rockstar.
Maker of the Badbird Bridge, "intonation without modification" for your vintage Gibson Thunderbird

amptech

Quote from: ilan on July 23, 2022, 03:12:46 AM

If Hymn of the Seventh Galaxy was recorded with an EB-0, then it's the best use of an EB-0 I've heard. But on another interview he said, "Before the Alembic I was playing a Gibson EB-0, and it's a nasty-sounding bass. It looked like a Chet Atkins guitar." Huh? Maybe he had an EB-2 or an EB-2D? I've never seen a picture of him with a Gibson (other than one with a black G3).

This calls for investigation :)
I believe I read about the EB-2 in a Turner interview.
In a bass player column or something.
Maybe I have to dig out those RTF albums too!

Alanko

Quote from: amptech on July 23, 2022, 01:42:23 AM
Didn't he use an EB-2 on the first RTF album?
I must admit though, the only RTF albums to get my attention was no mystery and hymn of the 7th galaxy.
I spent a few hours learning the title cut of the latter back in the day, so I guess he was some kind of early influence - but I admit that his tone was not really spongeworthy.

I can't fault his playing. The speed and technique he achieved on The Romantic Warrior is very impressive. It's the plastic-y ultra treble and low action scuzz that I don't really like in his tone.