Things cocky bassists say

Started by Dave W, July 20, 2020, 12:59:45 PM

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slinkp

When I was a kid, my first bass hero was Entwistle, and he could do both. Then I got into Tony Levin and he could do both. I got into the Talking Heads, and Tina Weymouth could do both. If I asked my bass teacher to teach me a song, he always wanted me to work on whatever technique sounded most like the recording. I just assumed that learning both fingers and pick was part of learning bass!  I was surprised when I learned that people would only do one and look askance at the other.

Looking through my current band's recorded output, it looks like I used fingers on 15 songs and pick on 8 songs.
I think in prior bands, I used to be closer to 50/50.
Basses: Gibson lpb-1, Gibson dc jr tribute, Greco thunderbird, Danelectro dc, Ibanez blazer.  Amps: genz benz shuttle 6.0, EA CXL110, EA CXL112, Spark 40.  Guitars: Danelectro 59XT, rebuilt cheap LP copy

Dave W

Same here, but I've had plenty of time the past few years to work on my pick technique. Unfortunately my health keeps me from gigging, not that there's much going on right now.

Alanko

Quote from: Dave W on July 21, 2020, 10:07:00 PM
You'll hardly ever find a well known bassist putting down another bassist for using a pick. It's almost always third-rate wannabees.

I think that some bassists initially gravitate towards using a pick as it is easier. There is no way you can find fault with Bobby Vega's technique when he's using a pick, but pick playing on a bass is a skill that still has to be mastered. You get more instant results bashing away with a pick, as a beginner bassist, over trying to get consistently speaking notes from fingerstyle playing.

I started playing pick, but I drank the Talkbass Koolaid and though I had to use fingers. Initially I was making more noise than note playing with my fingers. I think in general you can't fake fingerstyle as you can pick playing. Whenever I've gone out to see local bands the worst bassists have consistently use picks. They are either beginners or moonlighting guitarists, and in either case they don't know how to get a consistent tone that actually does the job of underpinning the music. I've never seen somebody seriously fumble the job of bassist who was also a fingerstyle player.


Saying all that, I suck as using pick on a bass. My tonal reference is that clicky, palm muted '60s soundtrack pick tone. I don't get a good sound unless I use a compressor. I'm left handed but play right handed, and my thumbs are double jointed! I can pick fine on a guitar, but I don't have the picking stamina to get good results on bass.

Dave W

I've heard a fair share of fingerstyle players who don't know how to underpin the music and/or are sloppy.

uwe

Mistakes show up more if you play with a pick.The initial attack is unforgiving when hitting a bum note.

I'm hopeless playing finger style, I then sound like a 1st year bassist.

But the real reason I started as and stayed a pick player was audibility. When I started out with a 30 watt Dynachord  Echolette Showstar "bass" amp, I could hardly hear myself playing in the band - and only if I played with a pick and in the high registers. It determined my style.
We've taken too much for granted ... and all the time it had grown ...
From techno seeds we first planted ... evolved a mind of its own ...

uwe

#20
I heard a band last weekend where the bass player (a fingerer, but that wasn't it) really grated on me. The first time was during JJ Cale's Cocaine (announced as "Eric Clapton's Cocaine", but never mind), where he insisted on playing the mostly two-step bass without any syncopation throughout, which killed the groove. And as they encored with a sloppy "Knockin' On Heaven's Door", he added insult to injury by playing the G to D root notes everytime when changing from the G maj chord to D maj one. Not once did it occur to him to play a revolutionary G and F# to the G/D change, much less perhaps throw in an E with the third chords C maj/A minor (depending on the part of the song). I thought if Sir Paul McCartney would have died that moment, he would have lived (and played) in vain.  :-\

The guy was older than me, you would have expected that the concept of a third had crossed his musical paths sometime in the past, if fleetingly. Miraculously, they also hailed themselves as a Southern Rock band (they strangled a few Allman Brothers songs as well), a form of music relying more on thirds and harmony than many others.
We've taken too much for granted ... and all the time it had grown ...
From techno seeds we first planted ... evolved a mind of its own ...

westen44

You don't run across Southern rock bands in the South all that much anymore.  Often when I see one on the Internet, it's one in a foreign country.  Needless to say, this particular band doesn't seem like it is very spectacular.  I would be glad to miss that one. 
It's not those who write the laws that have the greatest impact on society.  It's those who write the songs.

--Blaise Pascal

the mojo hobo

Quote from: Basvarken on July 22, 2020, 05:55:54 AM
When I started to play bass, I played fingerstyle only.
I had taken guitar lessons from a flamenco teacher and he taught me to use all fingers on my right hand (except for the pinky. don't know why). Hours and hours of training, alternating between the fingers (PAMI, PIAM, PMIA, etc).
It came in handy when I started to play bass in band that did Iron Maiden covers et cetera. Steve Harris was my idol back then ;-)

It wasn't after ten years in a band that I learned to play with a pick. I had started a tribute band doing Thin Lizzy songs. And Phil Lynott had this very steady pulsating right hand pick technique. Again hours and hours of practice to get that down pat.

I'm glad I learned both, because it just extends the palette of choice.

Never been much of a slapper though :mrgreen:

I used to alternate between pick and no pick depending on the song but these days I play all finger style because we play mostly oldies. A long time ago, probably 1967 I saw a Chicago area band The Flock. The bassist played a Fireglo Rickenbacker bass and used all the fingers on his right hand. I was impressed but rarely use more than two.



gearHed289

The Flock were great. Jerry Goodman on violin.

uwe

Trust our resident proggie to even know the most arcane progenitors of the trade! Without missing a strange meter.  :mrgreen:
We've taken too much for granted ... and all the time it had grown ...
From techno seeds we first planted ... evolved a mind of its own ...

gearHed289

 ;D Hey, he's a local as well! I was a fan of his solo stuff on the Private Music label back in the 80s, and was at the taping of his live album during that time at a great venue in Chicago called Park West. He's also played on a couple of my friend and occasional band mate Dave Uhrich's albums. And of course the fiddle player in my band knows him (because all rock string players know each other  ;) )




Bubbalou88

#26
Quote from: Pilgrim on July 24, 2020, 04:44:12 PM
Me too. I'm still faster and more accurate with fingers than a pick.
I am faster and more accurate with fingers but I keep trying to work with a pick as needed or when I think about it which is not really often
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