Bill Wyman's Steel Wheels rig

Started by Dave W, June 16, 2020, 06:08:05 PM

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Alanko

Quote from: Dave W on September 15, 2020, 03:06:24 PM$384K for his '69 Mustang.

Like a certain Crispy Decker of this parish, I'm a quiet champion of the Mustang bass and consider it to have been unfairly maligned, historically. Saying that, I find it hilarious that a '69 Mustang Bass is the most expensive bass in the world right now.

westen44

Noel Redding had a white Mustang which I think he only rarely played.  I'm pretty sure Hendrix used it on one of the demo tracks somewhere.  But I wouldn't be able to pin that down.  Possibly on the "South Saturn Delta" compilation album.  I've never been much interested in Mustangs except during a brief period earlier in the year when I was buying or trying to buy basses almost at random.  If I had, that would have been my first Fender, although I once borrowed a Precision bass for a gig and played a Jazz bass knockoff I bought on impulse which I ended up playing at three really good gigs.  Well, two were; the third might have been debatable. 
It's not those who write the laws that have the greatest impact on society.  It's those who write the songs.

--Blaise Pascal

morrow

It is hilarious that a Mustang is the most expensive bass on the planet .
I like shortscales but I've never really taken to one when I've picked them up .

Pilgrim

I'm a short scale lover. My Bronco (same body as a Mustang, FWIW) is one of the easiest basses to play. I have a Gretsch 2202 chrome bsoapbar pickup in mine and it sounds great.  I think the Mustang and its close relatives are among Fender's better accomplishments.

My '64 EB-0 is lighter, but otherwise similar ergonomically.

My Gretsch Thunderjet is the nicest bass I own, and a great player with beautiful fit & finish.

MY 1970's Univox hollowbody "coily" (335-copy) is a nice period piece even if the staple pickups aren't special. It sounds like a 70's bass with its 20-year-old flats, which is all it needs to do.

And there's my Dean Cabbie bass, yellow with checkerboard sides, which now has dual Gretsch blackface Filtertron pickups. It's a showy crowd-pleaser.

I'm having enough fun with short scales that I don't play my '63 Precision very often.  8)

"A computer lets you make more mistakes faster than any other invention with the possible exceptions of handguns and tequila."

morrow

Those Cabby's are funky . I wasn't too clear on the last post , it was a Mustang that I've never quite taken to , I'm a confirmed short scale fan .
I started using a Dano Longhorn . Initially didn't care for the short scale , over time became my favourite bass . Don't quite understand how it happened , but I'm ok with that .
The Dano also opened my eyes to some things that might be quite inexpensive , and still a lot of fun to use and play .  I think I'm up to eight shorties now , and the usual classics .
My little Gibson DC Jr has become a new favourite . They're gorgeous little things .


westen44

Quote from: morrow on September 25, 2020, 11:10:59 AM
Those Cabby's are funky . I wasn't too clear on the last post , it was a Mustang that I've never quite taken to , I'm a confirmed short scale fan .
I started using a Dano Longhorn . Initially didn't care for the short scale , over time became my favourite bass . Don't quite understand how it happened , but I'm ok with that .
The Dano also opened my eyes to some things that might be quite inexpensive , and still a lot of fun to use and play .  I think I'm up to eight shorties now , and the usual classics .
My little Gibson DC Jr has become a new favourite . They're gorgeous little things .


That Cabbie bass does look cool with the checkerboard design.  I think those are 32 inch--not sure.  I think I also became a confirmed short scale user, but it was just something that happened.  But that's what I've played a lot through the years.  Earlier in the year, I did start seriously looking for a long scale because it had been 2006 since I even bought one.  But those plans got changed when the price dropped so much on the Gibson LP Jr. Tribute DC bass.  I liked that so much, I wanted another one.  I couldn't find one, but got a Gibson SG instead.  I've just ordered the Vintage (brand) SG copy which Chris says sounds almost as good as a real one.  So my plans this year changed from planning to buy one long scale to buying three short scales.  I also, BTW, have a Dano, but a Hodad, as well as a few other short scales, including a few Hofner Contemporary violin basses. 
It's not those who write the laws that have the greatest impact on society.  It's those who write the songs.

--Blaise Pascal

slinkp

I never went for shorties but am liking my new DC tribute so much that now I kinda want one of the G&L shorties!
Basses: Gibson lpb-1, Gibson dc jr tribute, Greco thunderbird, Danelectro dc, Ibanez blazer.  Amps: genz benz shuttle 6.0, EA CXL110, EA CXL112, Spark 40.  Guitars: Danelectro 59XT, rebuilt cheap LP copy

Pilgrim

#22
Actually you're right - the Dean Cabbie is a 32" scale, and so is my orange Gretsch hollowbody 5123.

I don't notice the difference much when playing them, so I tend to forget. I have a half-dozen short scales, a couple of 32" basses, and 3 or 4 full scale bases.  I do notice the difference when I pick up the 34" basses, as I tend to play below the 5th fret a lot.
"A computer lets you make more mistakes faster than any other invention with the possible exceptions of handguns and tequila."

morrow

Those little DC Jrs are truly fabulous little basses !  When I first saw the specs they pushed a lot of buttons for me , but I thought they were a little pricey for a simply finished slab student instrument .
So I decided to wait for a sale or something used .
Nothing happened in Canada , but when GC blew some out I jumped . Mine had nasty fretsprout and a wretched setup , but I didn't want to deal with cross border bullshit , and I just wanted to play the thing , so I cleaned up the sprout , and set it to my preferences , and discovered a little jewel .
And every time I pick it up it makes me wonder .
It's a really nice little bass .

slinkp

Oh yeah, setup makes a big difference. The one I tried in Guitar Center had action a mile high and was underwhelming. The one I bought at $599 from Chicago Music Exchange arrived feeling nearly perfect. I thought of lowering the action a hair but decided it wasn't necessary. I love playing it.
Basses: Gibson lpb-1, Gibson dc jr tribute, Greco thunderbird, Danelectro dc, Ibanez blazer.  Amps: genz benz shuttle 6.0, EA CXL110, EA CXL112, Spark 40.  Guitars: Danelectro 59XT, rebuilt cheap LP copy

westen44

#25
Laura Cox's bass player with an LP Jr. Tribute DC.  Looking at that makes me think maybe it was good I got worn cherry instead of ebony like my SG.  Still, when it gets down to it all 4 colors looked good.  The color really wasn't my main consideration. 

It's not those who write the laws that have the greatest impact on society.  It's those who write the songs.

--Blaise Pascal

amptech

Quote from: Pilgrim on September 25, 2020, 09:53:36 AM

I'm having enough fun with short scales that I don't play my '63 Precision very often.  8)

Me too, I'm fully converted and I have actually started to thin out the herd of longs. I'll be selling my '74 ash/maple P this month, I just cannot justify having it and not playing it for many years.

westen44

Quote from: slinkp on September 25, 2020, 02:38:13 PM
I never went for shorties but am liking my new DC tribute so much that now I kinda want one of the G&L shorties!

Sweetwater has the Tribute Fallout in stock now, but I don't think that's going to compare to the LP Tribute DC.  Still, it is priced right, only $599.99.  Where those are made, I don't know.  I can only guess. 
It's not those who write the laws that have the greatest impact on society.  It's those who write the songs.

--Blaise Pascal

Dave W

Aren't the Tributes made in Indonesia?

westen44

Quote from: Dave W on September 28, 2020, 09:55:34 AM
Aren't the Tributes made in Indonesia?

That would have been my guess.  But I've been unable to find any specific info on that. 
It's not those who write the laws that have the greatest impact on society.  It's those who write the songs.

--Blaise Pascal