I've never had much interest in Flying V's, guitar or bass models. Don't get me wrong, I like them as a fun novelty but I have never considered owning one, but man, this thing is perfect, Kudos!
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Show posts MenuQuoteBello: I always enjoy Bello. The "Caught in a Mosh" isolated track was surprisingly sloppier than I expected from the full mix, where it sounds great. But then, so is Entwistle. Later recordings seem cleaner, not surprising his technique has improved in the past three decades!
QuoteThat's the NSFW feature in case you post a photo of a bass with boobies painted on it.
QuoteIf the photo is an attachment, rather than hosted on an external site like imgur and hotlinked here, then you'll only see it if you're logged in.
QuoteHello guys, I thought Id sign up for the forum and answer a couple of those questions that were asked about the finishing on Jeff's BaCH.
I DID shoot the Nitro over top of the poly on this one in order to keep the cost down a little bit. stripping poly finish is a long and laborous task ESPECIALLY on a set neck instrument where you have to work around the neck joint and such. I Always prefer to spray a FULLY Nitro finish whe doing a vintage restoration, refin, or even a new finish, but the cost was a prohibitive factor on this one. and to the Bach's credit, the Poly finish that it had wasnt too terribly thick so what wee did here was treat the existing poly finish much like a poly base coat that fender has been using since 1968. Which brings me to the question about checking.
Somone asked why their '62 reissue would check, even tho it was nitro over poly. well the answer is that many companies including gibson and fender ad a hardening agent to their lacquer to prevent unwanted cracking and makes the lacquer much harder and more durable.
the down side.... It also makes it much like a Poly finish in that it chokes the life out of the wood if applied to thick. Under the right conditions this hardened lacquer can also crack or "check" but many times the outcome is not the desire asthetic, so many "relic" guy use a razor blade to apply checking cracks. I PERSONALLY DO NOT. I have seen many people try this blade checking tecnique and have seen many people fail miserably at mking a believable and authentic looking instrument. In fact the Only person Ive seen achieve any measure of success with this is TOM MURPHY of Gibson, and he is credited for creating the whol relic process for Gibson.
(Stepping down from my soapbox now....)
I hope tis answers any of the questions you may or may not have had about the BaCH finish we applied.
JOHN SCOTT
Bluesman Vintage Guitars (and Basses)
QuoteThanks for reposting those! I love, love, love it with the black pickguard on it! Who made it for you?
QuoteThought so. It looked great with that black pg! Can you repost the photos, please?
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Quote from: Johnbob on September 21, 2012, 03:50:51 PM
I refinished my own bachbird in black and I love it but I originally wanted to do it in Pelham and seeing yours has really got me thinking.
Is yours the one with the black pickguard?
QuoteIt cost me around 250.00 for the relic job.Bluesman vintage did it for me.There is none better at the relic job than John.Im not sure if he did and entire strip or not. I think he did because he had to put a tummy cut in it.
QuoteJohn just told me that he layed the nitro over the poly. He said Fender has done that since the 60's.