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Messages - gweimer

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121
The Outpost Cafe / Re: Argent
« on: April 18, 2016, 03:46:22 PM »
I understand that in the US, The Roaring Silence was pretty much MMEB's only major chart entry - in Germany they ruled record sales and tours for pretty much a decade, early 70ies to early 80ies. Any household that rocked a littlen but not too much, had a couple of MMEB albums, some Barclay James Harvest and Supertramp as well as Wish You Were Here - it was the prog lite standard home furnishing so to say.

To this day, MMEB tour Germany on a regular basis, they don't fill large halls anymore, but they're good for a 1.500 people draw on a warm summer night outdoor gig.

More people know Father of Day, Father of Night, Mighty Quinn, Spirits in the Night, Blinded by the Light and Davey's on the Road again from MMEB in Germany, than from Dylan, Springsteen and The Band. When Springsteen first played here, people thought he was covering MMEB and not very well either, their more technical, yet less cluttered arrangements had become so ingrained. If I'm honest, then I prefer the MMEB versions to the Boss originals to this day.

I was also a fan of MMEB, prior to the one hit...well, a couple over here.  I started on Solar Fire, sequed into The Good Earth, and then The Roaring Silence.  And I agree - I prefer how Manfred Mann interprets other people's songs better than they do.  I think I may have even made a reference to that on a record review.  He was detached from the song, and was able to see its true potential.  Sad that people don't remember Nightingales and Bombers, but they do remember the Springsteen hit.

122
The Outpost Cafe / Re: Argent
« on: April 17, 2016, 04:22:18 AM »
I saw Argent open for Jeff Beck and became a fan, particularly of Russ Ballard.  There are a lot of songs that Ballard penned that were made well-known by other artists.  Ballard is a rare artist who writes openly of faith, much the way Ken Hensley did in later years.  "It's Only Money" is probably a hint of that.

"Liar" was done better, in my opinion, by Three Dog Night.
"New York Groove" is probably known because of Ace Frehley.
"Since You've Been Gone' is best known by that band with that guy on guitar, who shall not be named.



I loved Ballard's one hit single, too.




123
The Outpost Cafe / Re: More bad news for AC/DC
« on: April 17, 2016, 03:53:14 AM »
Proving that Neil Young was right....it IS better to burn out than fade away.

124
Since I seem to have inadvertantly opened the door for The Kinks (yes, that's where my tagline comes from...the song that made me a fan at a young age).





125
The Outpost Cafe / Re: Home
« on: April 15, 2016, 05:19:40 PM »
Wow!  Gorgeous view.  Congratulations.

126
Danke schön.

I always liked Gallagher (Rory ones, not Noel and Liam) gigs, he was an honest soul and one hell of a guitar player. Did prefer the keyboard four-piece with Lou Martin to later incarnations of the band though, it gave his music more color.



Great loss. Great shirts.

My favorite Rory song!  My friends and I walked into a record store in high school, and heard "Catfish" by Taste playing.  We were forever hooked.  We saw him open for Savoy Brown on the Street Corner Talking tour, and I had the honor of interviewing him once for the Illinois Entertainer.  He was a great, down-to-earth soul.  I interviewed him at Park West, where he had a sold-out house, despite The Who also playing that night in Chicago.  There was a small fire in the building, and Rory made sure my girlfriend was brought into the dressing room so she'd be safe.

127
The Outpost Cafe / Re: Rough gig
« on: April 14, 2016, 07:13:32 PM »
Hmm... interesting opinion, but what do you do for an encore... A funeral pyre and perform Hell Ain't A Bad Place To Be...? Or maybe an Arthur Brown cover... :vader:

John Cage 4'33"

128
Did I mention that I saw the Ian Gillan Band at the Marquee...? :mrgreen:

I did see Trapeze, but only post Hughes...

I got to open for Gillan in Chicago.  Outstanding show.  I later interviewed Ian Gillan when he was in Black Sabbath.  He was another easy to talk to person.  Trapeze is one band I would have loved to have seen.

129
Never meet your heroes.

Amen.  It can be a big letdown.

Leslie West - most unsociable in the '70s.  Then his bass player blew up my Acoustic 360 when they rented it.  In 2000, Leslie had become far friendlier.
Zal Cleminson - I saw him with Nazareth, and approached him as a starry-eyed fan (in my 20's by then), and was quickly disillusioned.

The guys you don't expect can be really nice.  At the same Nazareth show was an opener that was up and coming.  They sounded just like their record at an outdoor gig.  The singer, some guy named Bon Scott, and I drank beer and talked on the riverfront for about half an hour.

130
He only did it for his fans? Yeah, right.

He should have called up Sacheen Littlefeather and had her decline the induction on his behalf.

Nice!   ;)

131
The Outpost Cafe / Re: Ozzy Osbourne - Godfather of Soul ...
« on: April 06, 2016, 06:05:36 PM »
For some unknown reason, my country band a few years back decided that "Changes" fit on our songlist.  The rhythm guitarist did it solo on the piano.

132
The Bass Zone / Re: Overend 1 String
« on: April 02, 2016, 07:07:39 AM »


133
The Bass Zone / Re: Roger Glover
« on: April 02, 2016, 06:53:56 AM »
I had The Mask on vinyl.  I reviewed it for The Illinois Entertainer, and recall liking it.  I also got to interview Roger for the magazine just after the Deep Purple reunion was announced ahead of Perfect Strangers.  He was a great interview, and a very open and friendly guy.  He took some good natured ribbing about the fact that he had said, only a couple months earlier, that Deep Purple would never reunite.  And Rainbow wouldn't have been the success it was without him.

134
The Outpost Cafe / Re: The 90's.
« on: March 30, 2016, 09:13:48 AM »
Hey, I was just about to say they are a honorary exemption! I kind of liked their later "Depeche Mode melancholy goes doom metal"-spiel.

Speaking of bands that start with a "T", does Tin Machine count as a 90ies band (founded in 1989, folded in 1992)? I thought they were brilliant:

- Reeves Gabrels was an innovative guitarist - not afraid of atonal excursions -, but could rock as well,

- the Sales brothers were brilliant as a rhythm section, they played all these weird impromptu breaks that sometimes were on the verge of toppling the band, but always regained control of the groove and beat, it sounded like it was one brain steering drums and bass, talk about a brotherly bond!

They also had a singer - I forgot his name, he came from Brixton - who played a little sax and rhythm guitar on the side, a talented chap, grossly underrated in the role as their frontman.

Me likey Tin Machine...

135
The Outpost Cafe / Re: The 90's.
« on: March 30, 2016, 05:19:38 AM »
I have always considered the '90s as really thin on lasting bands/music.  It was the decade when too many bands wanted to pretend that nothing had come before them, so a lot of music was void of any influences.  For me, the highlights might well have been No Doubt and Soundgarden.   There was that one album by that one band that was pretty much a perfect album, but I credit that to the producer, Butch Vig, and the mixer, Steve Farmer.  The singer checked out by his own hand, but that drummer has become a lasting presence and popular rock artist.   8)

If nothing else, Alice In Chains revived the art of outstanding vocal harmonies.

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