There is a new 2015 remaster of Argus by French label Culture Factory and it kicketh the proverbial butt. It has so much detail, it sometimes sounds like Steve Upton doing a demo for Paiste cymbals.
Martin's breathing, it's all there.
Much as Martin Turner is identified with his beloved Donnervogel, there are actually more WA recordings (from his eras) without than with it! It's his
stage bass because he likes its handling and looks, that's all. Argus is all Rickenbacker 4001, so much that when Martin rerecorded the classic album with his own version of WA a few years ago, he reverted to a loaned Ric because he couldn't get the sound he wanted out of the TBird. A lot of the later Laurie Wisefield and Ted Turner-reunion stuff was recorded with a Fender Precision.
Don't we all live and learn. And when WA continued without Martin, the ultimate insult added to injury was - according to Martin's biography - Andy Powell's offer to buy Martin's TBird so the new guy could use it.
Flying Vs are popular in twin guitar bands (Wishbone Ash, Judas Priest, Scorpions, UFO, Accept) because they have a thinner sound and don't get in the way. They are kind of Gibson's Telecaster.