Author Topic: SG  (Read 2448 times)

uwe

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Re: SG
« Reply #45 on: July 31, 2022, 03:50:19 PM »
Stanley Clarke has huge hands, plays an upright like a mandolin, and still prefers 30" basses. If guitar players of all sizes can manage the in the solo region (not to mention violinists), then we should have no problem on a 30" bass. To me scale is about sound. If I wasn't a vintage snob I'd probably be very happy with a fanned fret 30-to-34" bass.

On a fretted bass, I need a few seconds to adjust from long scale to short scale. On a fretless, where every little millimeter spread in you hands counts, it takes a while longer.
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ilan

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Re: SG
« Reply #46 on: August 04, 2022, 03:33:13 PM »
Carles Benavent on a fretless EB-2D, with Paco de Lucía.



The guy who bought the same bass twice — first in 1977 and again in 2023

ilan

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Re: SG
« Reply #47 on: August 04, 2022, 03:34:16 PM »
The guy who bought the same bass twice — first in 1977 and again in 2023

uwe

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Re: SG
« Reply #48 on: August 04, 2022, 03:59:13 PM »
Carles Benavent on a fretless EB-2D, with Paco de Lucía.



Impressive and tuneful.
We've taken too much for granted ... and all the time it had grown ...
From techno seeds we first planted ... evolved a mind of its own ...

ilan

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Re: SG
« Reply #49 on: August 05, 2022, 02:16:01 AM »
A blonde EB-2D with a blank plank is a very beautiful bass. But on a close look I just noticed there are faint fret lines.

That's the bridge pickup solo'ed, right? He gets a great sound with a pick.
The guy who bought the same bass twice — first in 1977 and again in 2023

uwe

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Re: SG
« Reply #50 on: August 05, 2022, 05:03:13 AM »
I have no issues with people who prefer fretlines on their fretless, whatever floats your boat. Whether they help you or do more damage is a quasi-religious issue.
We've taken too much for granted ... and all the time it had grown ...
From techno seeds we first planted ... evolved a mind of its own ...