who needs a guitarist?

Started by Basvarken, August 24, 2014, 03:36:02 PM

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Basvarken

When you can play bass like this?






Wow! What a great band.
www.brooksbassguitars.com
www.thegibsonbassbook.com

wellREDman

proper drum n bass
first song was very voodoo child

Dave W

First one is blocked here.

I like the second song, but IMHO if you're playing guitar parts on bass, you still need a bass for a foundation.

chromium

Here's a version of the first clip that works in the 'States:




Pretty cool stuff.

Basvarken

Quote from: Dave W on August 25, 2014, 08:23:23 PM
First one is blocked here.

I like the second song, but IMHO if you're playing guitar parts on bass, you still need a bass for a foundation.

He splits his signal with a Palmer. One signal goes to a POG2 that is set to add higher octaves. And this signal gets a lot of distortion. Then it goes to two guitar amps. The original signal goes to a bass amp. Sometimes he keeps it fairly clean and sometimes he uses another POG2 for this signal. So whenever he plays "guitar" parts there are bass parts underneath.
www.brooksbassguitars.com
www.thegibsonbassbook.com

uwe

#5
I'm unimpressed (but then I'm no distorted bass sound fan at all, isn't distortion something guitarists have to do because their puny little instrument lacks any inherent authority?  8) ). I fail to see the sonic appeal of all these duos that sacrifice an instrument, be it Jack White/White Stripes or these guys. To me it will forever sound empty and rough. Besides, the point of bass and guitar interplay is not that the bass covers everything the guitar does one octave lower - how inane is that? The appeal is that the bass sometimes plays less and sometimes more than the guitar.

I'm playing at a wedding ceremony in church on bass with just a girl singer on Saturday and the rehearsals went fine, but it's nothing I would want to do on a rock stage. Essentially, I play "classical guitar on (an alternately tuned) bass" which suits the occasion, but it's hardly a band experience, I bas(s)ically mimic with chording, empty "drone" strings, arpeggios and harmonics what a guitarist might do. And drop in the low E once in a while to remind people that they are listening to a bass.  :mrgreen:

The above guys here remind me of Clatter, btw, the "Ric+Chick+Drum Punk"-Duo Steve Barr championed so energetically in the Götterdämmerung daze of the Dudepit, threads were awash with them for a while. They apparently still exist too:

http://www.clatter.com/



Their stuff has a lot more charm than Royal Blood's "riffage pretending to be songs" IMHO though. And I sure bet Amy of Clatter never heard much Primus or Les Claypool, no, not at all ...  :mrgreen: :mrgreen: :mrgreen:
We've taken too much for granted ... and all the time it had grown ...
From techno seeds we first planted ... evolved a mind of its own ...

nofi

i think the whole point of bands like white stripes is to sound raw. the blues people they cover, like sun house, never had a bass player nor needed one. the originals can sound either rough or mainstream. not all music demands a bass.

its been so long since i went to mass the acoustic folk thing from the seventies is the last music i remember hearing. >:(
"life is a blur of republicans and meat"- zippy the pinhead

Basvarken

I HEARD the band Royal Blood before I SAW them.
And thought they kick ass.  So I checked them out on YouTube. And to my surprise I saw only two musicians making all that cool music.

I usually don't care how many there are on stage executing good rock music. As long as it sounds good and thew songs are good.
But I gotta admit this band blew me away by just being a duo.



www.brooksbassguitars.com
www.thegibsonbassbook.com

uwe

Quote from: nofi on August 27, 2014, 11:20:45 AM
i think the whole point of bands like white stripes is to sound raw. the blues people they cover, like sun house, never had a bass player nor needed one. the originals can sound either rough or mainstream. not all music demands a bass.

its been so long since i went to mass the acoustic folk thing from the seventies is the last music i remember hearing. >:(

I hear you. But rawness for rawness' sake is contrived. I remember laughing about the first The Strokes album and how they tried to make those vocals sound like they were recorded via an analog telephone. What is the point to go lo fi? That must have cost them a good deal of money to not use state of the art mics in the studio. Kind of like artificially aged instruments. Or throwing wood chips in a Zinfandel to give it barrique taste.

I believe if you had given Lead Belly (or Leadbelly to avoid drawn out discussions among purists) the chance to record his music in a, say, 16 track studio of mid-seventies standards, he would have gladly taken it in the thirties. And his music wouldn't have suffered in authenticity for it.

No, not all music demands a bass, but a good bass line sure helps!  ;) Electric bass is a wonderful instrument, pop music as we know it wouldn't exist without it. Not sure how the bass run of Yes' Roundabout would have sounded on a double bass. Or with no bass. Or Jack White playing it on guitar with an octaver.  :mrgreen:
We've taken too much for granted ... and all the time it had grown ...
From techno seeds we first planted ... evolved a mind of its own ...

uwe

Quote from: Basvarken on August 27, 2014, 11:35:21 AM
I HEARD the band Royal Blood before I SAW them.
And thought they kick ass.  So I checked them out on YouTube. And to my surprise I saw only two musicians making all that cool music.

I usually don't care how many there are on stage executing good rock music. As long as it sounds good and thew songs are good.
But I gotta admit this band blew me away by just being a duo.

Huh? I don't know what they do on their studio recordings, but they sure sound like a duo to me live. In a blindfold test I would have assumed a distorted baritone guitar and a drummer plus a singer, nothing else. Not once would I have thought: "Oh, the bass kicks in!" Like it does in Smoke on the Water once Ritchie has played the riff four times (to give an innocent example)!  :P Have a duo emulate that.
We've taken too much for granted ... and all the time it had grown ...
From techno seeds we first planted ... evolved a mind of its own ...

Basvarken

Why does it have to be a traditional line up?
Why can't it just be cool in it's own right?

Like i said: I like the music. And I like the energy.
www.brooksbassguitars.com
www.thegibsonbassbook.com

hieronymous

Quote from: Basvarken on August 27, 2014, 03:21:31 PM
Why does it have to be a traditional line up?
Why can't it just be cool in it's own right?

Like i said: I like the music. And I like the energy.
I hear ya Rob. He's doing some interesting stuff, there are parts when it sounds like just the guitar - how'd he do dat?

uwe

#12
Quote from: Basvarken on August 27, 2014, 03:21:31 PM
Why does it have to be a traditional line up?
Why can't it just be cool in it's own right?

Like i said: I like the music. And I like the energy.

Himmel, you are allowed to like it!

I liked them too ...



And from Deep "You-know-the-rest" it's just a small step to Deap Vally





I'm eclectic that way. And filled to the brim with the fervent confidence that during their further ascent to stardom, Royal Blood will certainly also master the finer art of melody as other duos have done before them.

We've taken too much for granted ... and all the time it had grown ...
From techno seeds we first planted ... evolved a mind of its own ...

Basvarken

www.brooksbassguitars.com
www.thegibsonbassbook.com

slinkp

"Deap Valley" works for me ... funny though that first song sure starts off  familiar... oh right, my other favorite no-bass band :)
(warning, most people are not going to want to stick out the whole 11 minutes)

Basses: Gibson lpb-1, Gibson dc jr tribute, Greco thunderbird, Danelectro dc, Ibanez blazer.  Amps: genz benz shuttle 6.0, EA CXL110, EA CXL112, Spark 40.  Guitars: Danelectro 59XT, rebuilt cheap LP copy