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Topics - ack1961

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16
Bill's Shop: Projects, Mods & Repairs / p bass pickup orientation??
« on: September 12, 2014, 05:22:10 AM »
Hey guys,

I'm a real hack when it comes to working on basses, but I'm trying to fix a problem.
 I bought a custom passive PJ set a few years back.  They are totally anemic. They came without covers, paperwork, diagrams, etc.
The builder has never responded to my email questions, so I thought I'd get some help here.

I'm looking for help in two areas:
1. Resistance testing - I want to see if their worth putting in a project bass.  I purchased a few neo magnets to help boost the signal, but want to compare the figures (with and without magnets), but I'm unsure of what the real useful test procedures are...

2. Wiring - The wiring pattern on this set looks different than any other passive P pickup I've come across.

On most Precision pickups I've worked with, the White lead (hot) comes off the pickup positioned closest to the neck - I call it "north" and it goes to the middle lug on the Neck Volume Pot. The black jumper wire goes to the pickup closer to the bridge and Black lead from that "south" pickup goes to the Neck Pot (ground).

Here's what mine looks like:


I'd just like to verify that I'm positioning (orienting) the split pickups correctly and testing them properly.
Any useful help would be greatly appreciated.

Thanks!
Steve

17
Other Bass Brands / ATK300?
« on: August 07, 2014, 04:51:38 AM »
Hey all,
I've been offered a trade of an Ibanez ATK300 (for my '82 T-45), but I've never played a ATK before.

I don't mind chunky necks (I play a L2000 quite a bit), or the weight (the T-45 isn't exactly light).
I wasn't really looking to trade, but I'm kind of intrigued by the ATK now that it's been offered.

If I was reading some banter on TB correctly, the ATK300's do not have a passive bypass mode, meaning that without a battery, it's dead(?).
Anyone here have any experience with these?

Thanks,
Steve

18
This tool might be old news to some of you...

I've had a dilemma where some fretless necks that I've needed to re-finish have an unconventional 8 degree radius.
I was going to make my own 8 degree radius sanding block, but I found this neat little tool today:




You loosen the lock and the contoured surface relaxes and conforms to the fingerboard radius. Tighten the lock back up and it stays where you set it. The nice thing about it that you have one block for all different radii fingerboards.

I'm easily impressed by stuff like this.

Steve


19
Kinda interesting, if anyone is interested.

http://raleigh.craigslist.org/msg/4418154529.html

Steve

20
Other Bass Brands / 90's Dano Longhorn for sale near Raleigh, NC
« on: April 05, 2014, 07:07:34 AM »
I've never played one, nor do I know the value.
I've seen a few posts about these Longhorns (I think Denis has at least one of these).

http://raleigh.craigslist.org/msg/4408259439.html

Steve

21
Other Bass Brands / Guild B-302 on CL in Raleigh
« on: March 04, 2014, 01:53:29 PM »
I don't know much about them...Denis, didn't have a Guild or two or three?

http://raleigh.craigslist.org/msg/4352987258.html


22
One for the ages - I think my career came and went in one night.

As some of you may know, I'm really just a noodler who gets to jam with my kids upstairs and have never set foot on a stage.

A local church threw together a benefit dinner for 200 people to help fund an event for 15-16 year old kids making their communion.
My kids volunteered to play and were given 45 min-1 hour to play.  We all figured there would be a room full of teenagers and their parents, so my kids (and their other guitarist, Lee) all want me to learn their songs and covers and play with them for this show.
I semi-reluctantly agreed and busted my ass to learned everything.

I also volunteered to help the show organizer do whatever they needed from me -  now, I was thinking along the line of setting up tables or maybe serving a few meatballs...
Nope...I was asked to supply the PA (which I don't own), drums and the backline (2 guitar amps and bass amp) for the event. 
So, I go out and buy whatever I needed to fill out our PA - Crown XTI amp,  2 Creative Acoustic monitors and a used roller cabinet with a power conditioner.  We use our mixer, mains, mics and whatever other gear we can find in the house.  We supply 3 vocal mics and mic the 2 guitar amps and bass amp.

We haul the PA system, amps, guitars, basses, and drum kit.  I was told that I can get there at 1PM and have until showtime (6PM) to dial in the sound.  We get there at 1PM and there is one 15A wall outlet near the stage. I should have run right then and there.  Anyway, we get the gear setup by 3PM.  The room is a good sized annex to the church and at 3PM or so, I'm getting the drums and bass dialed in when the other band shows up for their 4PM sound check...just then, a door opens from the church area and a priest is giving me the "international shut the hell up signal".  I ask him what the problem is and he tells me that he has confessions going on until 5 and they can't hear themselves pray - I kid you not.  I ask when he'll be done, and he tells me "5PM...and then I have Spanish mass until 6PM...basically, you can't make any noise until 6PM".

Now, here comes the odd part: The guy running the show (Al) is kinda elderly, and pretty crazy.  Nice man, but he's a loon.  He tells me that he has vertigo as of last night and warns me that now he can't hear very well.  He also tells me that he invited the Monday night Bingo crowd in for the dinner and entertainment - they're thinking salad, soft food, coffee, Sinatra, Perry Como...uh oh.

Anyway, the other band (younger kids with completely overbearing parents) that came in at 4PM to sound check are now pretty pissed that they won't get one. They look to me for answers.  I have none - except, "try and roll with it". They also didn't feel they had to contribute to the benefit by buying 2 tickets for the benefit dinner, so they march out all huffy and say they're coming back at 8PM (their stage time).  I'm not religious, but I was praying for a lightning strike to get the parents at wherever they were going to dinner.

Here's where it gets weirder:  Al gives me a list of names of performers and I walk around, find them and ask them their requirements for sound and stage.  One woman hands me 3 CD's with one MP3 on each, another guy says he has his own PA system, and another overbearing father says he needs the stage completely clear for his kids to dance to some canned music (realistically, they need 4 x 10 ft.).  He tells me that I must move the drums and all the equipment off the stage and the girls are doing 1 song, and then coming back later (after one of the other band plays) to do another 3 minute dance.  I tell him that there is no way I'm clearing that stage twice.  I told him that I'll make all the room I need to make it kid safe. 

Things are going along well, but Al keeps taking the house mic and going on stage to make announcements before the acts are finished. He's a wonderful old man, but he's completely out of sorts (but, I must say that the FOH is mixed perfectly as he rambles incoherently on stage).

The kid band shows up and a-hole father walks up with a Marshall combo amp and tells me that he wants his daughter to play through her amp and not Vox we have mic'd on stage.  Sure thing, dad...no problem.  We get 'em all setup and I'm told the drummer needs to sing through her wireless system, not a hard-wired system - no problem.  Here's a great thing: Dad puts another vocal mic on center stage and drapes the cable over my sound board.  Apparently, the tiny little girl up front "sings" into a dead mic and looks all cute, but  I wasn't aware of this, so I plug in the XLR and un-mute that channel.  The kids do fine - everyone (except, that dad) enjoy the show.  He's pissed that I plugged her in, I guess (I never got their official rider). Anyway, now that I know what his intentions were, I'm grinning ear-to-ear.  Hey, if I gotta go on stage tonight and play for real, everyone does.

Now, come the weird part.  My kids band is up next.  Crazy Al takes the mic on stage, announces the 50/50 winning ticket number, hands out the prize, and thanks everyone for coming - the show is over (it's 9PM).  You'd have thought that they were giving away that pudding in the parking lot because that place emptied out like someone pulled the fire alarm.  My kids and I sat there as Al handed me back the mic - we were all laughing.  4 rehearsals with me filling in on bass, all the money I spent, and especially all the loading, hauling, unloading, setting up and now 2 hours of tear-down, haul, unload..been there since 1PM.  I have 2 hockey games the next morning and I'm already sore.

Now, tables and chairs are being folded and there's 20 people left doing clean-up detail. We decide to play a few songs for the kitchen staff and laborers, and it was fun as hell.

Funny thing is that my wife (who has been waiting for years to finally get video of me playing) is so confused about the past 30 minutes that she forgets to turn the video camera on for our shorty set.  I don't know if they were just being nice, but the kids say that they've never sounded so good - that made my night.

So, I'm going out while I'm on top and retiring from the music scene - the road has taken its toll.

23
The Outpost Cafe / Amazing sketch artist
« on: February 08, 2014, 06:42:14 AM »
Not sure if anyone's posted this yet, but some of this guy's sketches are so life-like that it's mind blowing:



24
The Outpost Cafe / Kids say the darndest things...and then panic sets in
« on: February 06, 2014, 12:34:37 PM »
I've been upstairs buying, fixing, collecting and occasionally noodling with basses for about 5-6 years. I built a jam room for us to bang on stuff and occasionally practice.
I don't really play bass and have never (with the exception of a few songs on my deck during a party) played in front of anyone.
My kids (20 & 15) have a gig this Saturday night opening for a few local tribute bands - I usually provide transportation, roadie services, food money...and gas money...and...basically, my wallet.

Anyway, their bassist is really sick and their backup is out of town and his backup is nowhere to be found, and my eldest turns to me and says "you're up, Dad"
Wuh!?  They have a 1 hour set. He says "can you learn these 12 originals and these 4 covers by Saturday night?" and hands me a sheet of paper with 16 song titles on it.  "BTW, these 3 are in drop-D, these 3 are in C-standard, and the rest you can just wing..." No notes or charts, which is great because I don't read music. Drop what? C-what? Nice kid, huh?

Now, I've got 2 days to somehow learn how to play a bass...on stage.  My wife is grinning ear-to-ear and is already charging the batteries in the camcorder. I figure all I can do is turn everything on full, stand behind the drummer (my youngest), close my eyes and let 'er rip. 
This is going to get interesting if bassist C can't be found somewhere soon.
Either way, they're both grounded come Sunday.

25
The Outpost Cafe / Opening band: Crobot
« on: January 08, 2014, 10:01:12 PM »
My oldest son and I went to see one of my all-time favorite bands, Clutch, this past Friday and Saturday nights.
The two supporting bands were Crobot & The Sword. The Sword has a pretty massive following, and I knew what to expect.

Crobot, a 4-piece from PA (a band that I had never even heard of prior to this show) came out first and lit the place up with a raucous 40 minute set.  They have a heavy, 70's-ish groove that brings the word "filthy" to mind. I liken them a bit to Rival Sons, Black Water Rising, Red Fang, etc.

I picked up their CD and in my estimation, it does not truly represent just how dynamic they are live. Granted, the drummer and bassist (the Figueroa brothers) are both recent additions to the band and did not record on their album.  Their bassist sported a faded SG that rattled the fixtures, yet sounded articulate enough to really enjoy the nuances of power bass. He has that Jamerson pointer-finger thing going on.

If they come through your town, give them a look.
Here's a video of a tune from their album (with the original rhythm section):



26
I'm in need of some advice for a current project.
 
In a nutshell, I have a old USA Peavey Forum neck that I absolutely love and want to use with a Jazz bass control plate.
I'm going to be using an Audere JZ3 (Jazz plate) preamp, so I need to either build a body to house the Audere or find a Jazz bass body that will fit the Peavey neck.  Here's the dilemma:  The Peavey neck has a square heel where it meets the body at the pocket.  The Jazz bodies that I have all have the rounded Fender-type pocket.  The Peavey neck heel also has a slightly more narrow width: 2 7/16" (as opposed to 2 1/2" for the Fenders). The 4 neck-plate mounting holes line up (PV neck with Fender body), but there is a substantial gap (1/2") between the heel and the pocket.

I've been up on Warmoth's website for reference purposes, but I'm having trouble locating a definitive description of the different heel configurations (in this case, square vs rounded & 2 7/16" vs 2 1/2").

I'd love to just pick up a Jazz body that will accept the Peavey neck, but I'm curious about the proper terminology for the squared-heel pocket.

The other option is that I have a 2-piece Walnut slab that's been "drying" (read: wastefully sitting in my house) for 3 years and it needs a project.  Regardless of which direction I go, if anyone here has an idea as to how I can discern between the two neck pockets when shopping online for a bass body, I'd really appreciate it.

Steve

27
The Outpost Cafe / CONUS Shipping recommendation?
« on: December 06, 2013, 03:07:14 PM »
Maybe someone here can enlighten me...

It just cost me $70 at UPS to ship a bass in its case (inside a standard bass box) from NC to CO.
Three weeks ago, I shipped a similar box with a bass & case for $46 to AL.
Both shipments were UPS.  I'm being told that there are Holiday surcharges and that during the Holiday season, UPS does not guarantee delivery dates.
I only ship 3-5 basses a year (almost always UPS), and the most I've ever paid was $48 for a T-40 that was delivered in 3 days.

I go up to eBay, and I see folks shipping their basses for $29-$50 CONUS - I know that some folks eat some of the shipping costs, but I'd like to know if anyone here has any recommendations on a different carrier to use during the "Holiday Season".

Thanks,

28
Other Bass Brands / NBD: 1991 Peavey Sarzo
« on: November 10, 2013, 05:13:28 PM »
I got this 1991 U.S. Sarzo Signature in a trade for my Millennium-4:



I've been trying to downsize and sell 8 US Peavey's...I get lots of trade offers, but I couldn't pass this one up.

29
Other Bass Brands / Yamaha BB1100S - any experiences?
« on: October 31, 2013, 08:54:44 AM »
Hey all,
I'm selling one of my rigs (the street value is between $600-800), and I've been offered a trade (which I really wasn't looking to do), but it's kind of interesting.
He's offering a 1985 Yamaha BB1100S (Japan) in great condition.
I've read a couple of reviews, and saw a few guys slap at them on youtube, but I can't tell good slap from bad slap...so they weren't much help to me.

I play mostly classic rock type stuff, some blues, punkabilly/rockabilly, etc.  I don't slap or play much funk (mainly because I'm not good enough).

Since most folks on LBO tell it like it is, I thought I'd ask: Anyone here have any experience with the BB1100S?

Thanks,
Steve

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