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The Bass Zone / Re: an amp for each string
« on: July 30, 2020, 02:43:08 PM »
I'm too old (and lazy) to lug 5 amps in and out for a gig.
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Welcome back!
I think one thing that has always bothered me the most about it is that famous musicians tend to put an instrument through more use than might be considered typical. If it's one of their favorite instruments, it has been through a lot. Some of these people are on the road almost the whole year. I'd prefer a new musical instrument or one that has barely been played.
Opa en oma is normal in Dutch for grandfather and grandmother. Haven't heard it in another language yet.
Thanks! I was with my last band for 13 years. After the liberating euphoria of quitting I suffered through a severe three month depression, I lost a big part of my identity. To be back on stage is like coming home.
Anybody ever tried playing a Bicentennial and competing with a double-bass drum attack?
"neckdives like Stuka over Poland"
That dead spot elimination thing always struck me as vodoo acoustics. Any scientific defenders?
It's finally light enough here on the West Coast for a first shot of Uwe's new G-3.
I will write this up, but so far I think this is one killer bass!
Maybe it's there as a place for tooling which holds it for CNC operations.
Looks vaguely familiar...
The TBird never had mass appeal to bassists, too outlandish, not slap-inviting at a time when slapping began to become all the rage and with an inhibiting upper register (lack of) access. No bassist I knew wanted one in 1976,