Author Topic: GAS Synchronicity  (Read 1361 times)

chromium

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GAS Synchronicity
« on: March 09, 2013, 11:37:05 AM »
Over the years I've amassed a decent bass porn collection, if I do say so - having scraped many a photo from the Internet and other sources here and there...

In scanning thru the other day, I noticed a handful of Mockingbird pics.  One beautiful koa sunburst longhorn caught my eye, and directly next to it was this pockmarked birdseye maple Mock sprawled out on some fuchsia carpet (downloaded in 2009, according to the timestamp):




My eye goes straight to that dark stripe on the lower horn...


Here's the Mock I snagged off Ebay last November:





I think it's the SAME BASS!!!
























Whoa





Any other tales of GAS synchronicity out there?

Dave W

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Re: GAS Synchronicity
« Reply #1 on: March 09, 2013, 01:56:21 PM »
Whoa is right. Looking at a few other areas, accounting for lighting differences in the photos, there are other points that look the same. The chances of two different basses having the identical patterns is almost nonexistent (except for foto-flame Fenders).

As Ford Prefect would say, "Eddies in the space-time continuum!"

godofthunder

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Re: GAS Synchronicity
« Reply #2 on: March 09, 2013, 02:14:56 PM »
No doubt that's the same bass! Cool story.
Maker of the Badbird Bridge, "intonation without modification" for your vintage Gibson Thunderbird

Highlander

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Re: GAS Synchronicity
« Reply #3 on: March 09, 2013, 03:34:44 PM »
Definitely the same bass...

Told this one before...
When I went into a local haunt to buy my own first bass (a Grenn EB2 copy), there, on the wall, was this beautiful cherry and gold Thunderbird, priced way above my budget at £200, but I could look...
Anyway, about a year later I went back into the same shop to contemplate number two and there was this white EB2 (may have been a Rivoli - further research discovery) for around £200 but I was short of this so I went to visit the Bank of Dad, who agreed to enhance my funds, so back I went, and the EB2/Rivoli was gone, bought by Bruce Foxton earlier that same day... gutted...
Well, I turned to go and out of the corner of my eye I spotted the same Thunderbird, back up for sale, having come back, now a "third hand" offering... and £20 cheaper than the EB2... sold, thank you...

The beastie has remained with me for the last 37 years... 8)
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TBird1958

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Re: GAS Synchronicity
« Reply #4 on: March 09, 2013, 03:36:30 PM »


 Great looking bass Joe!
I've always really liked Mockingbirds.........I'm jealous  :)
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godofthunder

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Re: GAS Synchronicity
« Reply #5 on: March 09, 2013, 03:48:35 PM »
  Back when B.C. Rich made the real deal! I remember when these came out I had my choice of the '76 Thunderbird or a B.C.Rich for the same money. I bought the Thunderbird (obviously) to this day I have always want a the first generation B.C. Rich.
Maker of the Badbird Bridge, "intonation without modification" for your vintage Gibson Thunderbird

Highlander

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Re: GAS Synchronicity
« Reply #6 on: March 09, 2013, 03:51:45 PM »
There is an anniversary coming up, so I've heard...
The random mind of a Silver Surfer...
If research was easy, it wouldn't need doing...
Staring at that event horizon is a dirty job, but someone has to do it; something's going to come back out of it one day...

godofthunder

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Re: GAS Synchronicity
« Reply #7 on: March 09, 2013, 05:03:11 PM »
 Kenny your a real mixer.
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Highlander

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Re: GAS Synchronicity
« Reply #8 on: March 10, 2013, 02:01:38 AM »
Some mixes are a tonic... ;)
The random mind of a Silver Surfer...
If research was easy, it wouldn't need doing...
Staring at that event horizon is a dirty job, but someone has to do it; something's going to come back out of it one day...

jumbodbassman

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Re: GAS Synchronicity
« Reply #9 on: March 10, 2013, 09:11:17 AM »
too many sharp edges to hurt myself.   Actually had one for a while and stupidly traded it in.  Sounded great,  not very comfortable to play,  electronics were a little noisey in mine at least.   Always thought the reverse p was the right way to go  with double p' s versus the silly warwick method. thought the guitars were clearly better than the basses.
Sitting in traffic somewhere between CT and NYC
JIM