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Gibson Basses / Re: Incoming Vintage Pro Epi 'bird
« on: April 04, 2024, 10:57:24 AM »
They need to start doing some of the Dusty Hill fur coatings.
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Long time ago - I have neither the room nor the remaining lifespan for it!
And I haven't really played bass seriously since last summer. My last band petered out so frustratingly, it's created a psychological barrier. No doubt this will go away eventually and I'll get my momentarily rusty playing up to scratch again, but I need a band to motivate me. And that is currently difficult or maybe I am: I want a band that plays at a professional level and with professional commitment even in the absence of gigs. I'm fine with gigs and can slot into a band comparatively quickly (I tend to be prepared), but really the live experience is not the major reason I do it. I prefer a good, productive rehearsal to a so-so gig; gigs aren't really about creating, they are about re-creating. I've also realized that playing in a tribute band is not for me, it bores me to tears, faced with being the Roger Glover or the Ian Hill in a DP or JP tribute, I think I'd give up bass-playing for good. I'm ok with doing a few covers, but then I lean towards radical rearrangements (I'm a so much better arranger than I am a songwriter, I never run out of alternative ideas) - that doesn't seem to be a popular thing anymore, people don't want to go the Vanilla Fudge or Manfred Mann's Earth band route, they want to replicate as close as possible - that bores me to tears. I don't even like real bands that replicate their studio material too close live.
So I really want the impossible:
- a band not only consisting of 20 year olds that still (perhaps rightfully, but I can't join them in that) believe they can be rock stars,
- that does its own material (with all or most band members chipping in) plus a handful of excellent, alternative-arrangement covers that really floor people,
- that features a nimble-footed drummer, a keyboarder/organist that can fluently improvise plus a similar guitarist as well as a singer who works well within her/his limits and knows how to handle an audience,
- that rehearses twice a week on average for several hours and really get's something done, even if not everyone can join for a particular rehearsal (there is always work to do) plus
- has a dozen decent gigs or so annually. Less is more if the gigs are good, yet at the same time the band should have a playing standard to at any moment be ready to play a good gig on the next night.
Surprisingly, for the last 30 years or so I haven't found a band like that, in Germany at least. If they are abundant in your neck of the woods, let me know, I will consider a move there.
You will notice that I have not written anything about the style of music - that is because it is of secondary importance to me as long as it is well-made and I can contribute meaningfully to it.
It is appalling how ambidextrous minorities are trodden on here. Where is BklynKen when you need him?!
With one difference being that Rick Springfield was quite a chick magnet. He didn't just have the pop singer image, but also the soap opera thing going on. I think it was just too much for a lot of women to resist. I can remember being around women several times talking about him. They wanted to rip his clothes off as well as their own. I'm sure Eric Carmen must have had a positive reaction, too. I just don't know very much about him.
That was bound to come.
It's otherwise a cool bass, I like the re=issue pickups a lot, and in a short scale like this I bet they sound really good - That color though, why? They make all these cool guitars and just do this $#!* for bass players.
Covid-related lockdown was probably the last time there will ever be a surge in guitar sales for these big, generic retailers with physical stores. Guitar 'culture' seems increasingly irrelevant and at odds with the direction popular music is taking. Coverage of NAMM from thus year looked especially desolate, with several major manufactures notable in their absence. Increasingly, guitar culture is becoming akin to baseball card collecting, with a smaller pool of hobbyists with deep pockets determining the discourse. $600 boutique overdrive pedals that never leave the 'man cave', etc.Totally agree with the baseball card collecting reference. I see so much of it in the TalkBass Thunderbird group. WHY?