That's the Leslie and a combination of the speaker/enclosure's tuning and the undersized power tube amplifier distorting. The Hammond itself is happily putting out all kinds of fundamental
So you mean that all the people who laud their off-board preamps here play directly into a slave/power amp? That wasn't my understanding. I thought they pre-amped their signal externally, to then deliver it to the amp-preamp and from there it goes into the amp's power amp. (I just refer to the in-built pre-amp as "equalisation" and generally don't use the term pre-amp for it.)
And what I do not understand is why you would want to pre-amp your signal twice?
but that is not my understanding of what people mean when they talk about "pre-amps" here in this forum: They then refer to little gadgets like the Sadowsky and MXR pre-amps. People feed those in their regular bass amps (with their own pre-amp), right?
That brings me back to my initial question then: Why boost the signal via a pre-amp before the (other) pre-amp? All you hear is more pre-amp then and less bass.If it makes you happy, it can't be that bad ...PS: Dave knows Supertramp songs - that is worse than the usually lambasted stadium rock, that is stadium pop!!!
Do SVT, Orange Little Terror and Markbass 500 have multiple pre-amps?
The SVT (even though it's a CL) only "sorta" has an active preamp. In most tube amps, the preamp gain stages are just straight voltage gain and the tone controls are all passive cut only after that stage except for the midrange, which is a band pass filter with its own separate gain stage to allow boosting the mids. Most tube amps work this way sans the active mids, which is why tube amps are so much more sensitive to pickup tonal differences (and generally brighter overall BTW) than s/s preamps. The pickups are directly impedance-coupled to the first half (most preamp tubes are dual triodes) of the first preamp tube and the passive tone controls come AFTER. There are exceptions: the Fender Super Twin/Studio Bass actually has an active EQ for its tone controls and Mesa's bass graphic EQ's split the difference: the knobs are a normal passive filter network, but the graphic EQ is a completely separate split band active gain stage after the fact.Onboard (or pedal) preamps also provide a more robust current/power drive. Dig into a passive pickup and its electronic resonance starts getting VERY prevalent and low end starts dropping off: pickups magnets are simply too small to provide an equally induced current at extreme voltage swings (transients) and current is where low end comes from. There is a very real difference in the type of signal put out from a passive versus an active bass.
Now I gotta know... What's in the bass?
Not multiple preamps. More than one gain stage.
Some might perceive this as taking the long way home... or even the crime of the century