He gets way, way, WAY deep into the Fender stuff, at the expense of covering a whole lot of other basses. I might have already mentioned that it's disappointing he completely blew off the early "boutique" builders like Alembic and Spector and the advent of active electronics entirely. Whether you like that stuff or not, it's an important part of the bass guitar's history. Not complaining, love the book. The chapter on his stage basses is awesome for an old fan-boy like me.