Delivery? He's got more in common with Morrissey (shoehorning in too many syllables on every nth line... OK Smith did that a few times, but only in his silly happy moments, and not so egregiously - not as many extra syllables and like 1 line max per song). 1 way ticket is typical hair metal melody; I don't hear it; his cadence/pacing/flow is nothing like Robert's. ... OK, I will grant you the chorus of Friday Night is pretty Smithish. If anything he takes from a very specific Cure era, the happy pop of Head on the Door +/- the few records around it. Which was as bubbly, whimsical, and emphatic as Smith ever got.