Recent Posts

Pages: 1 ... 8 9 [10]
91
The Outpost Cafe / Re: Deep + Good News for Modern Man!
« Last post by uwe on April 28, 2024, 02:28:35 PM »
Naw, he has a prominent bald spot on the back of his pate, but changes frequently between wearing his hair short or long. Gillan isn't the type to work with hair enhancement. That was his former guitarist!





92
Fender Basses / Re: Looks legit
« Last post by Dave W on April 28, 2024, 02:09:41 PM »
Agreed.  The logo is period-accurate.

And clairvoyant! The person who applied it knew in advance that Leo would sell to CBS three years later!

That's true, those are the Dymo labels used at that time period. Definitely a period piece....of something.

 :mrgreen:
93
Fender Basses / Re: Looks legit
« Last post by Pilgrim on April 28, 2024, 12:28:50 PM »
Agreed.  The logo is period-accurate.

That's true, those are the Dymo labels used at that time period. Definitely a period piece....of something.
94
Fender Basses / Re: Looks legit
« Last post by Ken on April 28, 2024, 12:08:09 PM »
Agreed.  The logo is period-accurate.
95
The Outpost Cafe / Re: Deep + Good News for Modern Man!
« Last post by ilan on April 28, 2024, 09:35:07 AM »
Looks like Gillan has a lot more hair than he had when I met him 8 years ago. Plugs, maybe?
96
The Outpost Cafe / Re: So, what have you been listening to lately?
« Last post by uwe on April 28, 2024, 08:50:47 AM »
John 5 is a good musician. Not that Mick Mars wasn't, I always rated him as the most naturally musical guy in the Crüe.
97
Fender Basses / Looks legit
« Last post by Dave W on April 28, 2024, 06:03:42 AM »
98
The Outpost Cafe / Re: So, what have you been listening to lately?
« Last post by wellREDman on April 28, 2024, 03:45:01 AM »
Mötley seem to go back to their Corabi daze which were musically viable if commercially a failure:



the CGI guys had such a lot of fun with that

song was fun too, John 5 is a good fit 
99
Fender Basses / Re: Vintera II 70s Telecaster Bass review
« Last post by Alanko on April 28, 2024, 02:24:49 AM »
I've finally finished off the fretwork Fender started. Essentially I had to clean lacquer off the sides and ends of the frets, round the fret ends over, ensure the crown of each fret was established and then polish out to a higher standard than Fender do. I also replaced the nut as the slot spacing seemed a bit arbitrary and I had a buzz from the A string behind the nut that couldn't be tamed, even after filing the slot, ramping and flaring the back of the slot, setting the witness point and making sure there was maximum break angle over the nut by getting the string right down the A string post.

Oddly both the third neck bolt and the anchor in the neck it secures into were very loose on this bass. I've used the micro adjuster setup to try and 'shim' the neck. It's a cool idea but it results in some scary creaking noises! Traditional four-bolt setups do seem to be a bit more stable?


Finally, I'm struggling to get the neck arrow straight. I'm wary of over-tightening the bullet adjuster and crushing wood under the string nut or torquing the bullet off the end of the rod . It feels very stiff, but I still have a bit of relief in the neck. I can live with it, but prefer a neck that could be dialled into a backbow so that I know I'm not using all the available tension on the rod just to achieve a usable setup and that a flat neck is achievable somewhere along the full excursion of the trussrod, rather than when it is squeaked 100% tight.


I've taken the bass to two rehearsals with an acoustic folk band. It is making me simplify bass lines and hang onto root notes, as the notes take time to bloom. Fast playing becomes a bit of a 'woof'! This bass sounds amazing with a pick, but the low end bloom when you play fingerstyle is really nice. Solid fundamental!
100
Gibson Basses / Re: Music videos that feature EB0 to EB4 and SG variant basses...
« Last post by uwe on April 27, 2024, 02:40:02 PM »
These sorts of institutions seem to be perfect environments for industrial-scale abuse, be it physical or sexual, as well. Weird, rigorously enforced power hierarchies, codes of silence etc.

Whether religious, political or sports-related - as a teenager I avoided situations like that like the plague. Ok, school was something you had to do, but other than that I had an abhorrence for any kind of activity that involved adults or other figures of respect. It was nothing my parents had ingrained in me, but I simply thought of adults as a different species that shouldn't have a say whaat I did and that could not relate to anything in my life in any case. I was wary of them without any real reason. (Members of Deep Purple and Status Quo excepted of course!  ;D ) I didn't even aspire adulthood, I could have stayed 16 for the rest of my life.

I guess that is why my music tastes are kinda stunted!
Pages: 1 ... 8 9 [10]