For finish? A sin if there ever was one.
I once read that it never really dried right, but remained soft, sticky and gooey plus ruined the sound (Dave: Discuss!), any truth to that? It should have dried out by now.
I think that was Bruce’s painted Bass VI that was gooey.
Well, in that case that SG is now exactly where it belongs, namely in a collection of 20th century cultural artifacts. In essence, a bunch of rock'n'roll Stradivaris. A good home. You don't really want guitars like that to be continued to be played until they need a refin, a refret or new pups - they need to be preserved in the state they were used to write rock history.
I agree with his assessment of the Dylan Strat btw. Dylan was no Chuck Berry or Jimi Hendrix in a musical sense, but he brought the power of social commentary into rock music.
I know. He and The Band were booed at some gigs of their later UK tour too - folk fans couldn't handle it, any rock'n'roll element was perceived as intellectually lightweight and not authentic, an escapist passing fad. It must have bee akin to Led Zep performing in, say, 1974 with a dance troupe and horns during Stairway To Heaven.
Which would have given that song some entertainment value for once.
I wasn't even aware of her, how embarrassing, she's an indelible part of pop culture!
https://marijkekogerart.com/marijkeKoger/psychedelicGuitarArt.php
I know. He and The Band were booed at some gigs of their later UK tour too - folk fans couldn't handle it, any rock'n'roll element was perceived as intellectually lightweight and not authentic, an escapist passing fad. It must have bee akin to Led Zep performing in, say, 1974 with a dance troupe and horns during Stairway To Heaven.
Which would have given that song some entertainment value for once.
Marijke Koger still paints guitars.
https://www.facebook.com/marijke.kogerdunham