Göran does a nicely intricate job in his interpretation (one instrument and one take!), but what he doesn't capture is that uplifting feel even minor key Macca compositions have:
I think it might also have to do something with a more classical player interpreting it or someone with a genuine pop feel. Mind you, Hawkes' version is of course an overdub orgy (once a multi-layerer, always a multi-layerer!). BTW, you might remember the nerdy little uke player from some other instrument ... (when he wasn't stealing women's underwear that is), first appearance at 0:41, close-up at 2:58, deplorable garment fetish theft at 3:02:
My gosh, Elliot Easton was what I consider "artful" in his lead guitar solos, each one a little music piece. And Hawkes' synth lines were of course the icing chrome on The Cars' cake grille, they too were music in themselves.