This is the one that stayed with me a lot, and I think it finally surfaced on a record somewhere, but it was years after this show was broadcast.
That is fledgling Diamond Dogs work, the transition period where Ronson was still around, yet Bowie already writing in a post-Ziggy vein. Bolder and Woodmansey of the Spiders were already gone, Ronson would soon follow as Bowie was again shedding his skin (and his musicians along with it) as he would habitually do. Diamond Dogs was recorded with only Bowie on guitar and while no Mick Ronson, Bowie's more basic, even archaic and generally somewhat "weird" guitar playing shaped the album's atmosphere. A dysfunctional guitar for a dysfunctional vision of the future.
Speaking of guitarists, Bowie probably worked with more brilliant ones than anybody else of his stature. At the top of my head: Mick Ronson, Earl Slick, Carlos Alomar, Adrian Belew, Robert Fripp, Nile Rodgers, Stevie Ray Vaughn, Peter Frampton, Reeves Gabrels. That is one impressive list.