In praise of Baldwin Gretsches - anyone own any?

[7615]

Having played Baldwin Gretsches for over 30 years I have noticed Fenders now offers Fender basses with Filtertrons. The Broadkaster, TK300 & Committee are fine instruments with a great sound. The Filtertron and Supertron II were fine pick ups. TC Jones designed some its pickups after those Baldwin era blade blacktops.  So with both TV Jones & Fender implementing the Baldwin era electronics it is interesting to say the least. Funny how an idea like post CBS, Baldwin or Norland are no good - can get legs - when it is complete nonsense.

[slinkp]

Out of curiosity, which Fender models are you thinking about? I went through everything listed here https://shop.fender.com/en-US/electric-basses/ and didn't see anything.  (You have to click "Load more" several times to get the complete list.)

[7615]

CABRONITA - The original Custom Shop Cabronita was introduced in 2009 (Before there was a made-in-Mexico Classic Players Cabronita Telecaster, there was the 60th Anniversary Cabronita, which was made in California for one production year in 2011. It essentially uses the same design, with two TV Jones Filter'Tron humbuckers.

Notably after Fender started making Gretsches - those designs started mixing and matching with Fenders

[7615]

https://www.musicradar.com/reviews/guitars/fender-cabronita-p-bass-590463

and at the Fender website

https://shop.fender.com/en/intl/electric-basses/other/coronado-bass-2013-2016/0243200509.html

[Pilgrim]

I can't speak to new vs. old series, but I have two Gretsch basses with ThunderTrons (a ThunderJet and a modified 2220) and one (an orange 5123 hollowbody) with FilterTrons. I also have a yellow Dean Cabbie with FilterTrons just installed.

I have liked the sound for years. 

I do need to change the impedence of the vol/tone pots in the Dean because after the pickup switch, the tone control does essentially nothing.  Lucky that it sounds good to me as is.

[Dave W]

Having played Baldwin Gretsches for over 30 years I have noticed Fenders now offers Fender basses with Filtertrons. The Broadkaster, TK300 & Committee are fine instruments with a great sound. The Filtertron and Supertron II were fine pick ups. TC Jones designed some its pickups after those Baldwin era blade blacktops.  So with both TV Jones & Fender implementing the Baldwin era electronics it is interesting to say the least. Funny how an idea like post CBS, Baldwin or Norland are no good - can get legs - when it is complete nonsense.

Here we go again. 

None of TV Jones' pickups are based on Baldwin era designs. The TV Jones Supertron is based on an early 60s (pre-Baldwin era) design, per his website.

No current Fenders have Gretsch-style pickups. They did for a couple of years but the models weren't successful enough for them so they were discontinued.

The current Gretsch blacktops aren't blade pickups. AFAIK they're a new design with ceramic magnets, not a clone of an earlier design.

You're entitled to like what you like, but CBS era Fenders and Norlin (not Norland) era Gibsons are much more valued in the marketplace that Baldwin-era Gretsches.

[Pilgrim]

I've read histories of Gretsch and they definitely indicated that the Baldwin era was not regarded as a strong one for Gretsch.

I've never played one of the Baldwin or pre-Baldwin Gretsch basses, so no first-hand experience with them here.  I just know I like the current ones.

[7615]

The Sr product manager at Gretsch on Gretsch pick-ups - the DNA comes from Baldwin era blacktops - see his comments below

"Regarding the scoop on the Black Top F"ilter'Tron pickups, here's the low-down...

 * The Black Top Filter'tron pickups are NOT identical to the HS Filter'tron.

 * The DNA for the "Black Top" came from a found set of Filter'tron pickups from the Baldwin era. Its voice has a little more output but slightly less high-end sparkle than the HS Filter'Tron. Please know we intentionally do not publish detail specs of the magnets, wire or frame assembly as they are a patented Gretsch recipe.

 * You should also know the specs for the HS Filter'tron pickups changed after FMIC got involved with Gretsch. It was a running change that happened sometime between 2003 & 2004. Mike Lewis took the DNA based off of an original set of Filter'tron pickups from 1959.

 Hope to see you next year at the Roundup!

 All the best,

 Joe Carducci
 Sr. Product Manager
 Gretsch Guitars"



Agreed the TV Jones are not really the same - I switched out a TV jones out of a Baldwin era bass and reinstalled the original Baldwin. Less high end sparkle than TV jones - which I prefer - even though the TV Jones use magnets . Matter of taste. Found TV Jones sounded better if playing with a pick but I play 90% of the time using fingers. Baldwins though definitely have more output than a modern Gretsch pick up.

Gretsch does use ceramic and I think that is why they have more high end sparkle.  Not sure about the output but as Carducci says - specs are a trade secret. Fidelitron are Fenders Gretsch knock offs and are currently available on a Fender bass or 2.

https://shop.fender.com/en/intl/electric-basses/precision-bass/cabronita-precision-bass/0145602306.html
comes with a Gretsch pick up knock off - not the Baldwin bladed - but the Gretsch sound.

The pre Baldwin era is a bit hard to distinguish as 2 of my traditional design Gentleman's are post July 67 (are Baldwins)  - and are impeccably made. In Fact my late 68 6072 is the best build of all 4 basses. The pick-ups are hotter than the 63 & 64 I have - but those are Filtertrons vs Supertron II's. The early 70's bass pick-ups are not as hot as the late 60's but have the same output as my 63 & 64. Comparing solid bodies to hollow bodies though is not the best way to A B pickups.

Those early 70's Matsumoku J basses - are often better than the contemporaneous CBS Fenders.  Go for a fraction of the price of a Fender. What is the cost and what is the value are 2 different subjects.

[Dave W]

The Sr product manager at Gretsch on Gretsch pick-ups - the DNA comes from Baldwin era blacktops - see his comments below

"Regarding the scoop on the Black Top F"ilter'Tron pickups, here's the low-down...

 * The Black Top Filter'tron pickups are NOT identical to the HS Filter'tron.

 * The DNA for the "Black Top" came from a found set of Filter'tron pickups from the Baldwin era. Its voice has a little more output but slightly less high-end sparkle than the HS Filter'Tron. Please know we intentionally do not publish detail specs of the magnets, wire or frame assembly as they are a patented Gretsch recipe.

 * You should also know the specs for the HS Filter'tron pickups changed after FMIC got involved with Gretsch. It was a running change that happened sometime between 2003 & 2004. Mike Lewis took the DNA based off of an original set of Filter'tron pickups from 1959.

 Hope to see you next year at the Roundup!

 All the best,

 Joe Carducci
 Sr. Product Manager
 Gretsch Guitars"

So the product manager - an FMIC marketing person, not a pickup expert --  claims that "the DNA" for the current blacktops, which have polepieces and ceramic magnets, comes from a Baldwin-era alnico magnet blade blacktop? Yeah, right. 

And the pickup details are a secret because it's a "patented Gretsch recipe?" Yeah, right.     If it's patented, the patent will show the details, and a quick search shows that there aren't any current patents held by Gretsch.

Agreed the TV Jones are not really the same - I switched out a TV jones out of a Baldwin era bass and reinstalled the original Baldwin. Less high end sparkle than TV jones - which I prefer - even though the TV Jones use magnets . Matter of taste. Found TV Jones sounded better if playing with a pick but I play 90% of the time using fingers. Baldwins though definitely have more output than a modern Gretsch pick up.

Gretsch does use ceramic and I think that is why they have more high end sparkle.  Not sure about the output but as Carducci says - specs are a trade secret. Fidelitron are Fenders Gretsch knock offs and are currently available on a Fender bass or 2.

https://shop.fender.com/en/intl/electric-basses/precision-bass/cabronita-precision-bass/0145602306.html
comes with a Gretsch pick up knock off - not the Baldwin bladed - but the Gretsch sound.

The pre Baldwin era is a bit hard to distinguish as 2 of my traditional design Gentleman's are post July 67 (are Baldwins)  - and are impeccably made. In Fact my late 68 6072 is the best build of all 4 basses. The pick-ups are hotter than the 63 & 64 I have - but those are Filtertrons vs Supertron II's. The early 70's bass pick-ups are not as hot as the late 60's but have the same output as my 63 & 64. Comparing solid bodies to hollow bodies though is not the best way to A B pickups.

Those early 70's Matsumoku J basses - are often better than the contemporaneous CBS Fenders.  Go for a fraction of the price of a Fender. What is the cost and what is the value are 2 different subjects.

Your Cabronita link is a dead end. Fender hasn't made Cabronitas since about 2015. I suspect the Fidelitrons were renamed Gretsch pickups, to avoid Gretsch's trademarks.

Ceramic magnets don't have any more or less high end sparkle, because, as the late Bill Lawrence often said, magnets don't have a sound. If the pickup as more high end than another, it's because of the design of the whole circuit, not the choice of magnet.

You're just trolling about the Matsumoku basses of the early 70s. But that's no surprise.

[7615]

So Dave if you are not interested in Gretsches - why are you here. To be insulting. A troll by definition.

You played a Baldwin Gretsch in a store once.  And you  call yourself an expert, and repeat the meme of bad instruments. (here we go again... )

Because you know so much more than the Senior product manager at Gretsch. So Dave Carducci is a liar. Interesting point. Your evidence for that please. That link was on the Fender site - I typed in Fender reviewed the basses for sale and it came up at the current site. But again Dave you know this how?

Ceramics do sound different - so now you are just talking out of your rear. But you do that a lot don't you Dave. You have no interest in Gretsch basses so why are you even here. To do your troll thing?

Dave how does a troll like you become a moderator?  A troll repeats BS over and over and that is you. That Baldwins were bad and they sound bad -is a position given from someone who played one for a few minutes in a store. You regurgitate the Fred Gretsch junior nonsense - who made inferior instruments to Baldwin- because it served his business strategy - family member rejuvenates Gretsch from evil clutches of Baldwin. A troll repeats nonsense. That would be you.

Matsumoku's are fine instruments but a know nothing like you wouldn't know anything about that. Gibson certainly thought they were good enough to make them basses.

It is fascinating how one can become an expert by not playing a group of instruments.

But no surprise here - but I will be reporting you to the other moderators.



trolling is to repeat nonsense - something you do constantly on the Baldwin issue. Players who own the old basses love them - some who read about them regurgitate their false expertise. Troll by definition.

You insult any knowledgable player with your brand of idiocy trolling.  Dave your are a fraud. Go find some other thread to irritate.

[Dave W]

So Dave if you are not interested in Gretsches - why are you here. To be insulting. A troll by definition.

You played a Baldwin Gretsch in a store once.  And you  call yourself an expert, and repeat the meme of bad instruments. (here we go again... )

Because you know so much more than the Senior product manager at Gretsch. So Dave Carducci is a liar. Interesting point. Your evidence for that please. That link was on the Fender site - I typed in Fender reviewed the basses for sale and it came up at the current site. But again Dave you know this how?

Ceramics do sound different - so now you are just talking out of your rear. But you do that a lot don't you Dave. You have no interest in Gretsch basses so why are you even here. To do your troll thing?

Dave how does a troll like you become a moderator?  A troll repeats BS over and over and that is you. That Baldwins were bad and they sound bad -is a position given from someone who played one for a few minutes in a store. You regurgitate the Fred Gretsch junior nonsense - who made inferior instruments to Baldwin- because it served his business strategy - family member rejuvenates Gretsch from evil clutches of Baldwin. A troll repeats nonsense. That would be you.

Matsumoku's are fine instruments but a know nothing like you wouldn't know anything about that.

It is fascinating how one can become an expert by not playing a group of instruments.

But no surprise here - but I will be reporting you to the other moderators.



trolling is repeat nonsense - something you do constantly on the Baldwin issue.

You insult any knowledgable player with your brand of idiocy trolling.

I'm the co-owner of this forum, you f***ing dumbass.

You came here with an agenda. I'm tired of your bullshit.

Aside from the odd spammer that gets through, I've only had to ban two people since we started in January 2008. Congratulations, you're number three.

[Alanko]

Ceramic magnets don't have any more or less high end sparkle, because, as the late Bill Lawrence often said, magnets don't have a sound. If the pickup as more high end than another, it's because of the design of the whole circuit, not the choice of magnet.

I want to get this forcibly tattooed on a few people.

People say ceramic mag pickups are harsh, brittle, hard, bright... what they are really describing is ceramic cookware. The word "ceramic" burrows into the brain. The endless boner for different types of Alnico, and the assumed superiority of the material, gets very tiring.

I owned this Coronado Reissue for a while. Never has a more exciting looking bass sounded less exciting plugged in.

[Dave W]

I want to get this forcibly tattooed on a few people.

People say ceramic mag pickups are harsh, brittle, hard, bright... what they are really describing is ceramic cookware. The word "ceramic" burrows into the brain. The endless boner for different types of Alnico, and the assumed superiority of the material, gets very tiring.
...

A pickup magnet is one component in audio circuit. Change the value of that component enough and the tone may change. That's no different than changing any other component. The magnet itself has no tone. Hard for some people to understand.

Alnico was used in most pre-CBS Fenders and most pre-Norlin Gibsons. The assumed superiority of those guitars and basses is why some people prefer alnico. That doesn't make it wrong, though. Depends on what the pickup maker is trying to accomplish.


 

[amptech]

A pickup magnet is one component in audio circuit. Change the value of that component enough and the tone may change. That's no different than changing any other component. The magnet itself has no tone. Hard for some people to understand.

Alnico was used in most pre-CBS Fenders and most pre-Norlin Gibsons. The assumed superiority of those guitars and basses is why some people prefer alnico. That doesn't make it wrong, though. Depends on what the pickup maker is trying to accomplish.

I'm with you here Dave - but I'm amazed how often I have to discuss this with guitarists in the shop. They ask about how I can age alnico to make it 'sound' like a particular guitar hero on a particular song.... I usually just advice them to drop acid

[Pilgrim]

I'm with you here Dave - but I'm amazed how often I have to discuss this with guitarists in the shop. They ask about how I can age alnico to make it 'sound' like a particular guitar hero on a particular song.... I usually just advice them to drop acid

When that question arises, it's time to paraphrase the old saying: "Talk to the fingers."