that Dutch bluntness
She now has new neighbors in Motecito, Dave, have you heard?
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A youngish retiree couple, people say. Victims of vile persecution.
14:36 is the worst bass tone I have ever heard - and I've owned an EB2.
14:36 is the worst bass tone I have ever heard - and I've owned an EB2.
I thought the worst bass tone was Bob Daisley’s tone on Blizzard Of Ozz. :mrgreen:
14:36 is the worst bass tone I have ever heard - and I've owned an EB2.
The amp that they used to test the EB-2 was a GA-5 Skylark. The cheapest amp in their 1967 lineup & probably the least suitable to amplify an EB-2. My EB-2 smoked much better speakers than the 10” that came with that amp.
The guy sanding frets on the EB-2 then studying the resulting dull farts is sort of unintentionally brilliant.
To my defense, I've never owned nor heard the album in full.
Yeah, Joey Belladonna wasn't a grunter to give credit where credit is due. I remember that song, it was as commercially accessible as they got :mrgreen:, but still too thrashy-punkish for me. Back then you couldn't get away from Anthrax, all the metal magazines were hanging on Scott Ian's lips. He's a nice enough guy though. Didn't he marry Meatloaf's daughter Pearl?
I like my punk to be poppy and majorish.
https://www.youtube.com/watch?v=6q_mHFfOMWE&list=RD6q_mHFfOMWE&start_radio=1
https://www.youtube.com/watch?v=ez4yjw5Y94s&list=RD6q_mHFfOMWE&index=2
https://www.youtube.com/watch?v=yCW7Aw8ugOI&list=RD6q_mHFfOMWE&index=3
But maybe the bruddahs weren't really Punk at all and that is why I lik'em?
The use of minor and major within one song is very common too. Guess that drives you crazy? ???
And Nirvana didn't even know what the hell they were doing either way, manor- or mijorish.
You seem to be obsessed with this minor/major schism?
I’ve noticed you mention it more often lately.
Most (rock, pop, metal, etc) music uses both dear Uwe.
It’s weird to assign either to a genre.
The use of minor and major within one song is very common too. Guess that drives you crazy? ???
That's just trolling Uwe - but I am going to fall for it :D
Nirvana were perfectly aware of the difference between major and minor. "Wrong" notes are a prominent part of the aesthetic. You just don't like it :D. And that's fine. But to claim it was accidental ignorance is false.
Your Thin Lizzy guys wrote a lot in major keys too, The Boys Are Back In Town (a song with an unusual chord progression for a hard rock number) among them. Phil Lynott would however only rarely break with traditional harmony rules. And they told Scott Gorham what to play because by his own admission he wasn't too sure about the difference either and hence learned his solos note for note, almost never changing them. Have you bought the new boxed set with all the source gigs for Live & Dangerous yet? I have!
I disagree. I believe that if you had asked Kurt Cobain if he knew what the relative major key to an A minor chord progression was (it's C major), he would have just stared at you blankly.
That's beside my point. I believe there are many, many musicians who have a good working understanding of keys and harmony regardless of whether they have learned the terminology.
Black Hole Sun is supposed to be disturbing. I don't know what live version you heard, but nothing in the studio version is an accident.
I didn't say that Kurt didn't hear the difference between an A minor and an A major chord, he wasn't tone deaf. But claiming that a profound harmonic understanding went into his compositions is overstating things - I think he just played by ear and liked (or didn't mind) chord changes that grated a little.