This is a very good description of the bass. Only someone who has spent some quality time with the LP DC Jr. would be able to make these observations. And anyone who hasn't may not see exactly what is being said when you praise such things as simplicity and a bass having only one pickup. The minimalism is a plus and the fact that the bass delivers a punch is even more of a plus. I wouldn't look at ''made in America" as a mystique, though. Through the years some American companies really have established a reputation for making good guitars and basses. As a typical American, I've spent much of my life buying various goods made in other countries. If something I buy is very good, and it's made here, too, that's more lagniappe than mystique for me.
Yeah, it's quite aggressive in the mids, but also has depth and snap if you want it. And something about that pickup puts a lot of pop in the attack if you play with a pick or a percussive fingerstyle. And it's easy to fit into a mix.
The neck suits me - it's round and chunky in a way I like but feels easy.
I know the matte finish is partly for economic reasons, but I love how it feels on the neck and I like that grainy look. And I'm a sucker for blue.
My only aesthetic gripe? That weirdly squared-off end of the pickguard is a strange and I think slightly ugly choice. Oh well, it's a minor blemish.
Would I have bought one if it was priced like a T-bird or SG? Probably not, but I was eyeing them at $999, and when they were on sale I couldn't resist. Mine was $650 US with tax, and Chicago Music Exchange did an excellent setup. Now it's my main bass.
Add me to the "maybe getting too old for long scale" club - I don't know how long I'll still be able to play a full set on the old LPB-1.