Anthrax have, to my ears, got better at meshing their riffs with Joey Belladonna's voice. I really enjoyed their work on "For All Kings". The chorus of this one is downright hooky. Uwe still might not like it because it uses both major and minor
And Nirvana didn't even know what the hell they were doing either way, manor- or mijorish.
That's just trolling Uwe - but I am going to fall for it
Nirvana were perfectly aware of the difference between major and minor. "Wrong" notes are a prominent part of the aesthetic. You just don't like it
. And that's fine. But to claim it was accidental ignorance is false.
Getting away from those two tangents and back to my original tangent that still has little to do with Gibson factory tours ....
while I can enjoy Raining Blood (with the bass properly submerged in the mix), I think some of you may join me in enjoying this version better... I'm sure I've posted it before ... the bridge is a thing of genius.