The Last Bass Outpost

We've often speculated here what wood our Epis are made of. The official blurb claims things like "korina" on, say, an Explorer, but we all see clearly that our Explorers are veneered.

Gibson has started something new - a site where you can ask Henry J and Jim Rosenberg (head of Epi) questions - and I found this here interesting:

http://4henry.gibson.com/index.php?/topic/444-please-be-honest/

This guy's enraged question:

"Why do you State the Body Material as "Korina" on the Epiphone when it's clearly not. Will you at least tell us what it is really made of.
Is it Alder? Also I really would like to know why you state it's Korina wood and base it on the real think. Why not just state it's Alder or whatever it's made of with a Korina Finish. Isn't their Liablity Concerns? I'd like to know really what I bought because it's not what you say it is and not what I thought I was buying and not what was stated that I was buying. I feel like I was conned and lyed too although I know the old saying is true but I was thinking it's made in Korea and China maybe they got a ****-load of the stuff cheep and are passing it on."

was answered as follows:

"Hi,

Thanks for the post. To my knowledge, the wood we are using on the "1958" Korina V's and Explorers is Korina (white limba). The body is multiple pieces with a veneer over the top and back. If you're not happy with your Epiphone and assuming you purchased it "new" recently, I would encourage you to contact the retailer you purchased it from or contact our Customer Service department at 1-800-4GIBSON.

Thanks again,
Jim Epi"

Makes sense to me and is confirmed by what my luthier said about my Explorer which was veneered (prior to the fungus treatment) as well but has Korina (pieces) underneath. I don't have issues with multi composite bodies. As long as the glue holds that is!  

Given the late year, that CAR fin is probably the real thing.

http://cgi.ebay.com/1982-American-Gibson-Grabber-3-G-3-BASS-GUITAR-w-case-/360286709378?cmd=ViewItem&pt=Guitar&hash=item53e2c2e682

Only second one I see with maple board though - CAR fin G-3s tend to have ebony boards. This is still different from other previous maple board G-3s in that it has a more durable three piece maple neck without the usally grafted headstock (the ebony board ones came with the classic one piece maple neck plus grafted headstock).



However, bad to appalling photographs do the item no favors whatsoever.




 

An RD Artist, fretless and in tobacco burst, THAT IS an attractive combination:

http://cgi.ebay.com/Gibson-1978-RD-Artist-Fretless-Bass-/230499380170?cmd=ViewItem&pt=Guitar&hash=item35aad56bca

As if Nirvana never happened and we're all stuck in a Pat Benatar time warp, but I really like it. Bought their album only a week ago out of curiosity not knowing their songs or anything about them ...





And they can pull it off live too, that girl has some pipes:

http://www.youtube.com/watch?v=BlV-E4WjRYE&feature=related

I'm really too old for this kind of music, but immaturity is an enduring affliction.

I finally got one. Initially, Scott - danke schön! - had offered his services to obtain one for me in the US but the downward slide of the Euro made that unattractive, so I bought one of the few that made it to Germany before the flood (currently, there are no Epi delieveries to Germany until end of year, but isn't the Mississippi outside of China?).

It looks pretty much like the black one in the promo pics here http://www.epiphone.com/news.asp?NewsID=1624 (I wanted a black one with a fretless neck just like the one at the Frankfurt music fair, but there are only natural body fretless ones available from Epi, so I settled for a fretted one). Craftsmanship is good with a few glitches:

- Before clearcoating the bass, dusting it off would have helped, now I have a bass with guaranteed rub-off-unendangered wood dust underneath the clearcoat (its on the back only, but still),

- The body/neck angle of this bolt-on was hilariously too concave for a bass with a high and unadjustable bridge, action at the 12th fret was 6/16", a little shimming with plastic strips did away with all that and action is now more at 3/16", comfortable and buzzfree, but I wonder how a beginner would have grappled with that issue to whom shimming must be a daunting prospect (if he thinks of it at all as a cure)?  For a bass that will in effect only let you control action via trussrod adjustment and neck angle shimming, a better quality end control is necessary, meine Herren from Gibson!

The good things:

It comes with a nice case and has a comfortable, but sturdy neck. Very good fret job with excellent high register access due to that radical cutaway of - alas! - Scott "Saw" Dasson-type ruthlessness.  

The body is Ripper-proportions-huge and makes the bass look like a medium or short scale, but it has a fully grown long scale neck.

The sound? My good countrymen of Shadow Electronics (inventors of the piezo) have done a swell job with the electronics here, the official blurb gives you an idea:

"At the heart of this bass is the revolutionary NanoFlex(TM) and NanoMag(TM) pickup combination. Custom-made for this bass by Shadow Germany, these pickups provide a wide range of tones suitable for almost any type of music. Under the saddle, the NanoFlex senses the vibrations of the strings AND the body of the instrument simultaneously. Not a piezo, this exclusive, low-impedance 7-layer element has active electronics and 100% shielding to ensure no sound is lost and no hum is introduced. The NanoMag is located right at the end of the fingerboard - just like in Epiphone's award-winning Ultra-II guitar. Positioned at this sweet-spot, the NanoMag captures all the subtle nuances and harmonics of every string. Like the NanoFlex, it too is low-impedance with active electronics on-board but it features a tiny air-coil, 3 samarium-cobalt magnets and silver-platinum shielding for a hum-free output. Both pickups are controlled by an active electronic system featuring a Master volume, pickup Blend and individual bass and treble controls for each pickup."

So if the NanoFlex is a modern piezo (by any other name) underneath the bridge saddle, the NanoMag is a small strip glued to the end of the (extended) fingerboard of the bass and picking up the signal in the old mudbucker position. What you do get is more than ample, subwoofish bass out of that position plus clear treble and presence with only subdued mids. Add to this the bridge NanoFlex sound which has an emphasis in mids (though bass is reasonable and treble/presence abundant) and you have everything you can wish for soundwise, especially as you can mix the two unorthodox pickup systems without any frequency-cancelling out and have individual treble/bass controls for each. The resulting sound very "there", bassy (with lots of reserves for mudbuckerish boominess if desired), yet crisp, with enough audible mids to cut through and - an issue with many oldtime piezos - even string response. The G string is even mighty compared to most magnetic pup basses and really jumps at you not only with treble zzzing, but also with warm, deep, musical bass frequencies.

The bass came strung with roundwounds and I've kept them for now because I enjoy the crispness which never gets nasty or obnoxious.

I'm not sure what audience this instrument is aimed at by Epi. It's not really an instrument for unplugged sessions, the chambered body not offering enough volume unamped or coloring the Nano sounds enough acoustically (there is a slight change in tone if you hold your hand against an F hole), yet the wooden bridge and the F holes are not really rock either. Whether it can carve out its own niche remains to be seen, but I doubt it. Not really in the beginner range of Epi and without any celeb factor I can see it deleteted rather quickly which would be a shame as it is a good and individual instrument in its own right. I've enjoyed playing no other non-magnetic pup bass as much as the Zenith.

Well, they actually did! In April 2010 would you believe. Cliff obviously couldn't make it, return tickets from the eternal drumming grounds are scarce. And Derek has a new hat (and still a great voice), Rob still his old sound which I rate among the best P sounds ever and Uncle Ted sounds like him even on a PRS rather than a Birdland:

http://www.youtube.com/watch?v=taL8WsZ1Vw4&feature=related

Just listen at Derek's vocals here, even in his new-found Spranos-look he stands head and shoulders above any other Nugent vocalist:

http://www.youtube.com/watch?v=UxqejFy8Dn4&feature=related

And of course the unavoidable, Nugent's "Smoke on the Water":



Found all this on Rob's revamped site:

http://www.robgrangebass.com/

I'd see that line up in a heartbeat if I had the chance.

Dr Feelgood probably won't mean much to most of you yanks here, they never cracked the US with their stripped down, energetic to the point of neurotic/frantic, urban Rhythm and Blues. Alas!, you preferred Foghat. Famously thrown off a Kiss US tour and uncermoniously sent home after devastating hotel rooms which had the Kiss organisation profusely apologizing (if you're Stanley Eisen or Chaim Witz you just don't break things unless you get paid for it -like guitars on stage!), these pub rock/punk godfathers had their famous fifteen minutes in 1977 when their live album Stupidity



peaked at no 1 of the limey charts. In a whimsical mood, I bought the CD of it this week and the inlay photos revealed that John B. "Sparko" Sparks, forever identified with P Basses, played a Grabber in the Stupidity era. By then the Feelgoods had become a credible live draw and were the Brit music press' darlings so Sparko's pay cheques probably allowed him a new bass. Not the tallest of men, I must say though that the large body Grabber did him no visual favors. Kind of a Grabber on legs!




http://www.youtube.com/watch?v=2OQ9h16pTAs&feature=related