That's the bass I found for him in San Antonio. Remember that from back in the Pit days? It was a nice cherry EB-0L with one insignificant flaw, a bullet hole through the neck that also caused a lengthwise split. When Uwe had his luthier repair it, he had the poor thing refinished, no doubt against its will.
Is this how I am thanked for this selfless Lazarus-type resurrection?!
Tone contr-WWWHHHAAAT?
I don't even use that on active basses, at least not the treble one. I'm a full-on guy and with "gunshot baby" the choice of pup determines how bright my sound is. It's three volumes, right.
I'm sure there are people who can work with a passive tone control effectively - it's a precious gift that unfortunately totally escapes me to this day. If I play a bright sounding bass like, say, a Ric, I have no desire to take that characteristic away from it. I'd rather switch basses then.