Author Topic: How Gibson Rescued Epiphone in the Late 1950s  (Read 1595 times)

uwe

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Re: How Gibson Rescued Epiphone in the Late 1950s
« Reply #15 on: March 31, 2021, 06:17:07 AM »
A lot of people like the Junior look, it escapes me why. Tranquil symmetry bores me, a Feng Shui bass.
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Basvarken

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Re: How Gibson Rescued Epiphone in the Late 1950s
« Reply #16 on: March 31, 2021, 06:27:31 AM »
Well... it isn't exactly symmetrical. The upper horn is a little bit longer than the lower one.  8)

I really like the simplicity of the design. That shape and the single ply pickguard -in my opinion- visually combines well with the 51 P single coil.
That's why I built a few of these :-)
Funny enough many people recognise a Hamer bass in my builds rather than a 1959 EB-0. And asked me to leave the pickguard.

morrow

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Re: How Gibson Rescued Epiphone in the Late 1950s
« Reply #17 on: March 31, 2021, 08:14:39 AM »
I always loved them and was really happy to see the reissue .
Great little bass .

uwe

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Re: How Gibson Rescued Epiphone in the Late 1950s
« Reply #18 on: April 01, 2021, 01:58:44 AM »
I'm even playing my original banjo tuner one currently in our rehearsal room, so I'm not holding its look against it! But I generally prefer larger and more outlandish looking bodies, I'm a great fan of the Iceman und Parker Fly shapes for instance.

The kind of shapes you would marvel at before a guitar shop window as an adolescent.  :mrgreen: My first bass was a South Korean 'Johnny Guitar' Jazz Bass knock-off whose look did nothing for me, I was in love with the unaffordable - Burns Flyte bass the shop also had for years.
We've taken too much for granted ... and all the time it had grown ...
From techno seeds we first planted ... evolved a mind of its own ...

Basvarken

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Re: How Gibson Rescued Epiphone in the Late 1950s
« Reply #19 on: April 01, 2021, 02:46:28 AM »
I was in love with the unaffordable - Burns Flyte bass the shop also had for years.
Which is perfectly symmetrical... :rolleyes:

uwe

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Re: How Gibson Rescued Epiphone in the Late 1950s
« Reply #20 on: April 06, 2021, 05:51:35 PM »
Yeah, like a Flying V, but its edgy and pointy, not rounded. That said, I'm currently playing my LP Junior a lot, looks don't matter to me anymore!  :mrgreen: It plays real nice and someone has to devote some attention to the poor ugly thing.
We've taken too much for granted ... and all the time it had grown ...
From techno seeds we first planted ... evolved a mind of its own ...

Dave W

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Re: How Gibson Rescued Epiphone in the Late 1950s
« Reply #21 on: April 06, 2021, 10:55:59 PM »
Yeah, like a Flying V, but its edgy and pointy, not rounded. That said, I'm currently playing my LP Junior a lot, looks don't matter to me anymore!  :mrgreen: It plays real nice and someone has to devote some attention to the poor ugly beautiful thing.

Fixed it for you.  :mrgreen:

morrow

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Re: How Gibson Rescued Epiphone in the Late 1950s
« Reply #22 on: April 29, 2021, 04:38:48 PM »
I’m not sure why , but I picked up a Riverhead Unicorn bass last year .
I read the factory burned down and they never opened again .
But it’s a fun thing .
Glad you like the DC , Uwe .




uwe

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Re: How Gibson Rescued Epiphone in the Late 1950s
« Reply #23 on: May 03, 2021, 03:54:21 PM »
That does look like the legendary Flyte alright!!!
We've taken too much for granted ... and all the time it had grown ...
From techno seeds we first planted ... evolved a mind of its own ...