The Evertilt (Tilt-O-Matic, Supertilt) is a separate and distinct issue. Especially with the nylon saddles. I'd rather carve notches in a tree branch and stuff it under the strings.
Ah, my favorite, Jake and Dave being persistent and unreasonable with each other about issues nobody else cares about. A
Robert Plant and Jimmy Page (drummer and bassist of Deep Purple, Jake!)
Yeah, me too, Pinhead has style and sophistication. Freddy Krueger otoh is messy and without manners and Jason is a real bore as a dinner guest.
Yeah, but make sure that the branch tilts forward a lot or you won't come close. The strings need to be anchored in the branch for ultimate effect.
Dave, this seems contrary to your usual high standards. I suspect a strong anti-3-point bias as the source of this temporary insanity.By definition, if it creates an impression in the wood, it's NOT irreversable - that will still be there if you put the original bridge back. You personally may (claim to) not care, but I assure you that you are not an obvious majority on this. And it IS a ding (you just claim to not care). Despite your feelings on this (somehow I doubt you'd buy a bass that had one and then was put back stock so you can see the impression at closet classic price) but others (me) do care, and so it WOULD affect price (at least when dealing with me and the approximately 50% of other Gibby bass fans that would also care).
Will those finishes age like the vintage Gibsons? Sparkling burgundy turning orange, pelham blue turning green and inverness would get greener perhaps. Anyone here see any of their more recently finished Gibsons change shades like in the past?