So it's deliberately set up to sound specific notes. I wonder if you'd notice a difference on solidbody instruments, if you had the room for that long a distance from bridge to tailpiece. Except for the Gibson EB-1 and maybe a few others, most basses wouldn't have the room, since the bridge is too near the end.
On a related subject, once in a while I lurk at an acoustic guitar builders forum. One well-respected regular has said that the further the bridge is from the end of the body, the more bass will be produced. Of course there are many other considerations that make up a design, but he has wondered why bass guitar designers don't take this into account. It might make a difference, although maybe not with solidbodies.