Not to mention pickups encased in surplus lipstick tubes, cheap tiny machine heads, the aluminum nut held in place with a screw, and the textured cream wallpaper glued to the sides to save paint. But it all worked very well. That's the magic of guitar making, sometimes you don't need exotic tone woods, figured tops, gold plated hardware, fancy inlays and active electronics to achieve good sound.
Old Danoelectros had a neat tone circuit. A switch toggled between "normal" tone (treble cut) and treble-bleed (like a variable baritone switch).