Show Posts

This section allows you to view all posts made by this member. Note that you can only see posts made in areas you currently have access to.


Topics - Happy Face

Pages: 1 [2]
16
The Bass Zone / Ignorant Newbie Question
« on: March 04, 2014, 10:30:43 AM »
Can you make any passive bass active by jamming in a preamp? Or should you use specific pickups?

17
The Bass Zone / Let's welcome the low watt guitar amp movement!
« on: January 03, 2014, 06:37:03 PM »
For some reason I received a Musician’s Friend catalog today. Must be because I bought something at Guitar Center? Anyway, I was thumbing though it while dinner baked and was pleasantly amazed by the number of 15 to 20 watt boutique guitar amps listed.

It fitted in with my own experience: Our killer rhythm guitarist just bought himself a Vox AC-15 and I must say, it sounds mighty nice. As he said, we’re either playing at a club with sound or we bring our own PA, which has at least 5000 watts available. He’ll get himself heard one way or another. Being that we are a harmony-heavy band, keeping stage volume somewhat controlled is a good thing.

Looking at that catalog and of Sam’s new AC-15 got me thinking back to high school days in the mid to late sixties. I semi-fondly recall playing in bands where the lead guitarist had a Twin Reverb. Or make that two Showmans with cabs. Or best of all, two Super-Reverbs stacked on top of each other, cranked up loud so they’d break up.

As a bass player with a humble white Bassman and then a Guild amp with a 2x15”cab, then a Traynor, it was a real chore to even be heard. The endless wars encouraged me and my main rival bass player to lend each other our amps so we could each use two amps to try and keep up with our guitarists. It also made us open to welcoming higher powered solid state amps, even if they did not sound all that great.  It also influenced my technique to this day – I still yank on the strings too hard rather than employing a light touch.

Circling back to today, I called an old friend who knew me back then. He only took up bass in recent years but now kicks ass. I mentioned the MF catalog and teased him about his GAS problem. But then I wandered over to the topic above and he told me how his band, which has been actively gigging recently, had been forced to part ways with a really good guitarist. I’d heard him play = he was really good and is a fine singer. Plus I liked him as a person. But he was getting too loud at the kind of venues they play at. His amp? A Twin Reverb. I asked “Why doesn’t be just trade down to a Pro?” But I guess the guy is set in his ways.

A long story short = aint it nice that our gitards are finally figuring out that a lower power amp can be a better stage amp? I say “can be” because, if we are playing at an outdoor venue, I totally want and demand that our guitarists wheel out some serious amplitude. How else can I justify bringing out one of my big rigs? I do miss having my pants flapping in the breeze!   

18
Bass Amps & Effects / Old Man's Lament
« on: November 09, 2013, 07:18:50 PM »
 I spent a fair bit of my meager spare time over the last couple of weeks tending to a Trace Elliot SMX 350 amp I bought. I used to own it and felt it was the best sounding amp I had ever used for a Rickenbacker bass and a more famous Ricky player than I said the same thing without any prompting from me when I lent it to him for a gig where it was "take it or leave it." I did not say a word, except to say I was lending him that amp because I needed my Orange for another gig. A life-long Ampig, He used it and loved it   

Anyway, after fetching the amp back from a local pawn shop, I cleaned and blasted what I could and replaced a few parts.

But today I'm wondering if anyone outside of any of us OLD FFIGGIN GEEZERS even can tell the difference between me playing a Ricky 4001 through my hugely tubey  Orange versus this lovely old Trace?

Or, as our lead guitarist once helpfully noted, "Why bother changing bases? It's all the same, it's just bass."

I just bring this up since we recently played at a gig where they asked us to keep our sound level down to a level where the patrons could carry on conversations.  Thanks to our remarkable sound man we did .

But given that we face more and more jobs like that, why even bother  having a nice amp or even a nice bass?  Seriously, this really sucks.

Maybe I am glad that I am old.

19
We landed a nice time slot on the main stage at an outdoor city festival tomorrow. It's not Woodstock or Shea Stadium, but it should be a lot of fun. PA, stage etc provided which is really nice since our PA is in my basement.

But the bands have to bring their own amps. No big deal. I mean, that's why we agonize over our rigs, right?

Last night after practice we were talking about what rigs to bring. Our leader guitarist mumbled something about bringing his little Line 6 amp since "we'll be miked anyway so it'll be fine." In fairness to him, he does get some good sound out of it sometimes. But...

Thankfully I did not have to say a word.  

First our frontman exploded: "You have a beautiful Marshall half stack and you want to bring that little piece of crap??" He was referring to the sound. Then he added that we want to LOOK GOOD on stage. "This'll be a big crowd!"

Then our new drummer, a local legend who we were lucky to get, joined in: "Marshalls and Orange, my two favorite brands. I want one on each side of me."

Our poor lead guitarist asked "Well, what will DJ bring?" probably wondering if I'd bring my "small room" Sunn 200s on top of a 1x15 folded horn.

But I didn't get a chance to answer. The frontman declared "He's bringing his big Orange rig. And you are bringing the Marshall. End of discussion."

It's nice playing with guys who still care about how we look on stage rather than worrying about being able to carry your whole rig in one trip.   :)

And, it doesn't hurt that my big Orange rig sounds much, much better than any of the little mini rigs I tried when we had a 9 month residence at a club with a long flight of stairs up.

  

20
I have been trying to find a post on the old Dude Pit about a legendary session bass player. The comment was something like "He sounds like an old Chrysler 300 starting up on a winter day, all clangy and nosiy, but it fits right in the mix."

Or something to that effect

Do any of you oldtimers remember that?

Only out of curiousity, really... I'm not being criticized for being a sloppy player... really!

21
Bass Amps & Effects / serial vs parallel ohmage reading
« on: April 04, 2011, 08:27:24 AM »
Just spent a weekend swapping speakers, horns and wire harnesses between two cabs. Both Avatar. One is 4 ohms one is 8 ohms.

The 8 ohm has two  4 ohm speakers wired in series. When I measured the cab omhage after the transfer, I noticed my standard run-of-the-mill ohm meter showed showething like 8.9 ohms. Not a big deal, but usually cabs on the meter measure below the stated amount. s does the 4 ohm cab. But is that only for parallel wiring?

I'm just paranoid I did something wrong. But it sounds fine....

Thanks!!

22
Bill's Shop: Projects, Mods & Repairs / Question about pickups
« on: February 10, 2011, 11:57:32 AM »
Hey compadres!

I am confused --- why would a bass with two (single coil) pickups and one tone control be so much noticeably louder when the volume on either pickup is on 10, which seems to turn off the other pickup. When you blend them each below 10, it is much quieter??

I encountered this with a Yamaha BX-1 I recently sold and now the same thing happens on a mash-up bass that just replaced it.  

I do not encounter this on my Guild, which has two single coils and two tone pots. When i play it, I leave the tone pots alone and just change the blend between pickups to change the tone. Works well. It only gets slightly louder when the vol on one pup is up all the way, crowding the other off.

I'm wondering if the single tone pot is the isue or if it is something else?

Thanks!


Pages: 1 [2]