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Topics - amptech

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1
Bill's Shop: Projects, Mods & Repairs / Musicman=Sterling=Spector?
« on: September 08, 2020, 10:56:19 PM »
Good morning, folks!
I got this Sterling by Musicman SUB Ray5 bass on the bench this morning.
It has a 2 band eq, and the small eq print have some burnt out SMD components. No big deal,
I get a new one from the importer - but on the back of the PCB says : SPECTOR BASS CS-1.
Just curious, is there a Spector - Musicman connection? I am aware KORG now owns Spector,
but does EB/Musicman have a KORG connection too?

2
Gibson Basses / SB project anyone?
« on: August 10, 2020, 04:22:31 AM »
This one : https://www.ebay.com/itm/Gibson-1966-Cherry-SB-300-Bass-Body-Neck/353160653033

Not only does it have a mahogany body, but it's av very early SB 300 with 34" scale from 1966!

My best guess would be that it's a 400, but anyway this looks like a good project.
Pickups are easy enough to find, but this one screams 'do something wild to me' 8)

3
Bill's Shop: Projects, Mods & Repairs / SB-300 neck reset
« on: February 24, 2020, 12:38:47 AM »
Hi, guys!
I recently decided that I'd give a neck reset to the SB-300 I got from Scott last year. It has negative neck pitch, and too high action with the bridge at it's lowest setting.
I have about 10+ Gibson neck resets behind me now, and have become comfortable with doing it, though most of them have been
60's EB-0/3's and SG guitars (fairly easy to reset).

Then I saw this on Instagram:


The post read something like: 'sounds awesome and played nice when I got it, but the action could be a bit better'.

I normally don't comment things I don't like (well, only here :)) but this was posted by a guitar manufacturer i Philadelphia, so
commented it, asking why the neck was not reset. Now I cant find the post on insta. The instrument pictured have pretty poor finish
too, so that can't be the reason for avoiding a neck reset.

Anyway, am I missing something? Are these early 70's Gibson neck joints difficult to deal with?


4
Other Bass Brands / Höfner 182 wood question
« on: December 22, 2019, 03:02:22 AM »
Hi, guys.. Ok, so I just got this 1964 Höfner 182 solidbody bass (project) on the workbench. I really am not sure what to do with it; the body is molested by a junkie probably in the 70's. It's cut down to a 'Ampeg Devil Bass-ish' shape. other than that, it just miss one original tuner. Action at 12th fret when strung up is a healthy 1,7cm... But, the electronics are OK, that is - one staple pup working and one just needs reconnecting inside (both coils are OK). I guess there will never be original value left at all, so if the neck can be adjusted I can just cut out a straight centre section and add body sides. And sell the complete electronics. Atually, the neck feels rather nice in my hands.

But after Googling away yet another breakfast, I still have not fond much info regarding what wood they used? Does any of you guys here know what they used?

Don't ask for pictures - it's actually the ugliest wreck I've ever seen!

5
Rickenbacker Basses / Rick-O-Sound
« on: November 30, 2019, 03:06:44 AM »
Now, this was fun.. I never used the stereo out much when I boght my '75 4001 some 18 years ago.  But as I grow more and more fond of Geddy Lee, at least now and then I have pondered with the thought of splitting the pickups on at least one EB3.

The other day I got this HD-130 in for repair, and when it was done I just had to test it alongside mine! Customer have no cab, but fortunately I have two :)

Man, if two HD-130's isn't loud enough... It was amusing to feed the bridge pickup to one unit set to some trebly overdrive tones (through the 212 cab) and the neck to amp set clean through the 115EV cab. Great fun! Ludicrous Loudness!


6
Other Bass Brands / Stingray moment..
« on: September 19, 2019, 02:03:59 AM »
Ok, not Gibson related but I have to share... I've posted stuff about my MusicMan rig before (HD-130 head with 212RH and 115RH/EV)
but the other day a '78 Stingray passed though my workshop.. It's for sale at the local music shop, but I had to borrow it a few hours
just to see if it was a good match to my 130 head, which is very sensitive to what you feed it with.. A mudbucker needs some eq to sound right, a P too.. But the Stingray was a real hand in glove! Sounds really good at any setting, and you can even push the transistor pre without making everything nasty. Guess I shouldn't be surprised, but this really blew me away! Although I grew up with AC/DC, it never
crossed my mind that I wanted a bass like Cliff's. But ever since I first saw one, I have liked the 3+1 head so much I actually lusted for one. But the ones I have tested, have not been that good (Ernie Ball's). Damn, if I wasn't so used to resting my thumb on the mudbucker (and actually not interested in going back to long scale) I'd consider coughing up the 3.5K they ask for it! It's near mint with just a nice light checkering.. a beauty! Well, a cool 'flirt' with something else anyway :)


7
Gibson Basses / Guitars The Museum
« on: July 05, 2019, 08:12:00 AM »
Finally got to visit Guitars The Museum in Umeå, Sweden...

What an amazing collection! I contacted them before I got there, because I'm mainly interested in old amplifiers (and Gibson basses).
One of the brothers (the owners of the collection), Michael Åhden gave a private tour for me and my wife - how nice is that!

It's just too much, they have everything, the '58 Explorer bass being the only exception :)
Got to see all the Gibson basses I do not yet own, a bit sad that they were all behind thick glass. I'd love to play a '53 EB or a '60 EB0..
OK, I had to check out the nocasters, broadcasters, 50's les pauls, explorers... the '58 flying V etc. too, while I was there.

Quite a few celebrity owned basses, too bad I did not take a photo of the JAE Thunderbird 2. But the JAE  slab '66 was nice too.
Strongly recommended, especially for you T-birders here!









8
Gibson Basses / NBD Gibson SB-300
« on: April 23, 2019, 05:04:43 AM »
So, it's finally here. Bought this one from Scott. I'm hooked on short scale Gibson basses, so I was curious to explore this one.
I have tried one before, way before I started to play shorties - but that might have been a SB-400. It was horrible, neck like a bow and impossible to play. I don't remember if I even played it on an amp, owner just wanted to show it to me because I had a Gibson too at that point (Grabber). He said it sounded weak and sold it off cheap. And now I lusted for one, who would have known. Here it is in all it's glory:



Hope you all can see pic (Photobucket) The finish is not as good as in the pic, just turned out that way :)
Naturally I wanted to fiddle with it right away. Tuned it up after a quick look, it was strung with very thin strings (measured .082, .065, .047, .045 on my digi caliper). I know Scott fixed the truss rod on it, but anyhow I use TI's and the sort so it's OK. I have an extra LaBella deep Flats lying around I might try.
   Sounded good acoustically and played really easy, but the E was making a pretty nasty buzzing sound. A quick look under the hood
of that clever bridge revealed the reason for the bad behaviour, the nylon E saddle was chipped.



I might try to make steel saddles, but for now I just filed a notch with a rat file. There was enough room on it for it to seat, so it will probably stay this way if it sounds OK. It now played very nice (notched the other saddles too to set the radii).

Time to plug in. There was an EBS Fafner 2 that I just finished repairing on the bench, so I plugged into it (and a Marshall 412 with Eminence Bass neo's). Even at 12 o'clock gain/vol there was just a very low sound, although both pickups made som popping when touched with a nail. Measuring the output jack it has a very high dcr. That does not really worry me, the control plate have two screws only. Turns out corrosion got the better of it, a ground connection was loose and the jack was all gunky and green. The electronics takes about 30 seconds to resolder, and a thorough jack cleaning and pot lubing another 30 seconds. Both pups measure 6,6 K ohms each, so quite good output should be possible with both on (in series).



And yes, now it played nice and loud. So good I had to go find my '73 Superbass. (the EBS makes every bass a bit dull) I must say, this is a really good one. It does bite, but that is very controllable with the tone control (which I never use on EB-3's or mudbuckers in general). Can almost match the rick in clank and it is louder. Can do a good P too! Very easy to dial in the sound, compared to muds.
Both pickups on and tone backed off a tad, very varm and full sound but with super definition. It can definitely be expressive, not dead at all. OK, it's new to me - but it is a bass I can see myself spending a lot of time with, it screams 'do me again'!

I can only join in with Uwe and the others who praise this beauty, it is a very good instrument! For the record I did try a SB-350 a while back, but I'm glad I waited. The 350's bridge pup is as useless as everybody claims.

I'm not too fond of walnut, but decide to keep it as-is. Only thing that must be done is a refret, wich is boring to do but I'm sure it will be worth it when I'm done. It's a winner!  :)

9
Gibson Basses / SB-400 heads up
« on: September 16, 2018, 12:30:34 AM »
On ebay.

I still follow SB-300 on ebay, I look for a project at a good price. Unfortunately, this one here
https://www.ebay.com/itm/1971-SB300-gibson-bass-guitar/132780262718
looked like a candidate, but I suppose it's a SB-400 as it looks like it has a long neck, and bridge all the way down.

I guess many of you guys here like the 400?

12
Bill's Shop: Projects, Mods & Repairs / Washburn P pickup question
« on: April 30, 2018, 08:58:15 AM »
Hi, guys!

A friend just sent me an SMS...  An 80's washburn bass with a single P pickup.

Says it does not work (pup), it's  passive  but has 4 leads - black, white, blue, red. Crappy pics shows a standard tone+vol setup but vol have a push/pull switch.

I said just send the bass over, but it's not his... Anybody know this pickup, seems odd to phase split a P pickup. It has no visible poles, washburn logo in silver.

14
The Bass Zone / Took a lession...
« on: August 19, 2017, 01:11:32 AM »
..with Neil Murray yesterday! Just been on a business trip visiting my parent valve company, and since chance made me cross paths with Neil a couple of weeks ago, I asked if he gave lessons and he did. I'm more familiar with his early works (National Health, Colosseum 2 etc.) than what he did with Whitesnake and Brian May, but that man certainly have made a footprint in the bass world.
I have just started practicing more seriously again, so this was a tremendous boost.. just to sit down with  someone who has been a part of the canterbury scene was for me exciting, really a highpoint in my UK trip. I must add that he is a skilled 'tinkerer' too, most of his instruments seemed to have had many different pickup configurations. We discussed pickups to quite some extent, especially mudbuckers and eb3 bridge pickups (I got to play his '68 eb3). He even had a kahler vibrato loaded aria, lots of really fun instruments. A good bass day :)

15
Bill's Shop: Projects, Mods & Repairs / Gibson case lining
« on: June 06, 2017, 10:11:03 PM »
Hi, folks..

I'm finishing up my '58 Explorer bass project these days, and I ended up making a case for it too. I'm not too worried
about the case being historically accurate, but it will be covered with brown tolex of some sort and have pink lining.

..but where does a guy buy pink lining? We have two local stores that sell some kind of pink crushed velvet, but it seems too thin.
They both also had 'pink faux fur' but it was wery long haired.

So, do any of you guys know what product that will be similar to what Gibson uses? None of the US dealers I'm connected to have such products.  I think the closest I came was searching ebay for 'pink faux upholstery fur' or something, but I don't know what the product I'm looking for is called?

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